Download Free NT Live: Cyrano de Bergerac kickass at Dailymotion Streaming Hd-720p

⇓⇓⇓⇓⇓⇓⇓⇓

https://moviebemka.com/id-7627.htm?utm_source=ucamprimaria.blogia

⇑⇑⇑⇑⇑⇑⇑⇑

 

Director: Jamie Lloyd / Release date: 2020 / Genres: Drama / Cast: Nari Blair-Mangat. National theatre live: cyrano de bergerac en. El mejor Cyrano del cine! José Ferrer inmenso. My favorite play! Jose Ferrer is marvelous.

 

National theatre live 3a cyrano de bergerac tv. ��} s�H�س]u�C����%�%ٖlI[�D�K�BJ�z��M�I��1h��;U�<��t��J��M* ���<���μ����%��� J�%�^Gک�4�O�>}�����j��w�������<�2? ��;��`�g���ZDۅ8�Y��A��&����/�������G���� Z5�����l��; �����؉{ �o ���Z��e��B & �+�~��U6m'���ۅ1��љ�,��#���g+ ���h��, �l. x����U�� ���F1 �����R}WXZF��P��ͯ��,�<,�拖�r����Q��<8�������� 8[�;��s����ҿ`�p���8b�F��P�eO8�����B�{ �K���qXѓ�e]��P�Qp3H�� �
��E7E�I_z�gi��b�Z�@��Zk�=~����af6��dqS���ry4�,CnCl�R���/��Z�� T���vA�_� ��` ��v9�{�܁qd���Ӎ���F��[��dZ<ZyZ{�^ �,�t} mZH�L+F�4�TF&��6�2�r>[7��Z��������? w��F���c{��������x�Y��1��u]����O���B�܃8�}��{�2b:����5I_0��"u�. �0@E͵�8
(��? �ߟ�=�C����/Bn# @��ӢT*�p���ޞa�t~ ����� ���j
�f�4�h����g��h{�2L��>h���΃>v>�
���{ . e��K��ʶ�? �qO���V ��u��_�U*�u���=��ʿz��pG��Ϛ0�? ��
Ⱦ�/�&y D��HF�pUej&hE��P�� �]�"�<��ӻH_i p8b���VP����Ѐy��e�h���� � �k�˂W#�d? �fu� �3e�. U*9��c7Z8p���� TWn�j+p�� �E��ҫCe(�����'E�, �`��+K���@��ҏ�
{�M, �q�{I0��/<��a��ZY…����k��dS�g�pS}
�B9��E[۱��7i�-��f:��Ɍ��������94�*�v�V9�շ�����r��. H�v
��7*xa�K��s�A8��Cr�EȤ&�. '5ͭ�, T�sx�v�yP�7�4�5㆏�����X�Lq��U����t�է�z�0�O�� �hZED�*�G�i�ހ�}q�� ��ŷr�, �T�34�@ ���-�. R�4�{��T�V����)�3��-��worT���������v�ٳB�l3��[�+�=bQ ���2Oq. ���2�KuJ��Ǡ? 3C��Q~d�Ց��i�,�����pf��}d��QZ���:���X�"�M{�q���/���"S6�L����ؽ2�l�]c����@ ��K��֝��k��-�a�x&FJ��)�,�%���u�
�Hl�0�. ���Uv��XE��G(yH%? ��������u0����R���8NaA*=��r��X��>����ؕ{K�zŽ��:�NN�8C �9�{�a@x�L]�[T��8+Q���P uM(0�Q2��ړ�ɰ�7D��ca��ܢI6�)�d�A�h�q�����"��q8�3��%z"5��,ȍi}1T�yy��bt+���x
�Q��'0y�T��a@ ���, E���`�}t�;���, ���bdEfą�c1b���e(P�j۔������� ��;��ssm���vn���>��. ��! �����6�0��:�)�4�F7C�#v! x! ��Ŵ���St�R�z~ �@Ej�� ޲O�7G�Q4q�_D�@�Y���߃�5����)�V�Γ��J=�LY, �L��M�eN<@��:r�i����9Wp���������h�Q��mx�d��Q�H������>zn ���(�� �ÛO�[��j���h�:�Z�����r` �%��9�37ؗ�Rx& 7q���? �������������Cm��뎎q*�־�5��{�&�=��ɯ�Eh��Z��N)~Vf���V�%A� �3e���>SB�� 1�*���W#���*�d+�Vw����5�, �Y�t�9V���`�j�i���! úc�p<�; I�C@�O��Y�}������̨R�4��Ɖ�����= 0OD. Y_D���Lm�L��q�_�0�o��r� ���w0�����Ƹ��d��6�n, ��`�P��17�LB�z���b�<��C'�O<�j�kq�7�mª�mR�v&�� �C1�` �B��� �C���:T�0(�,6�1mg%5�C���l�R�٣~ �ʡ��YK�LteO�? �"GjL���� �wy�I �? ��ȅQ�- jAii. E3O]ِ��>���s�JoL�! z���L����yOF(�LJ}e�� ����v]�2���Q�nDku#Z�����/ ���I? W�%8]2�c%Y�B�%����j�#���*�%�o��p�f�%�Ye�j�Z��&�7~��^�& ��6�:C+ Q��s�. �@��M�x��0ۄ9A���ŪM�����C�t���O��I���^�g�3uם�S3�3z:C��N~ s����-�͉�o����Ҥ�)�
d�lf����,���`�����d��Q�����OS? 4�h�ѭ׼�. ���vtN ��,�;����L��l�(T~���V���Z����ُ���6������ �����w����)0-�����<���&�A�_ˏ�E�Fh�)�_7�8X�������C���H8����IZ�K�P��lb�n�ʀ�m��)�b����Z��/V�O"Š��{�9;s�? Hv�"��:��*@��! wV��ؾ <�v S�s��ຮ��A{b��d, ���Q����ʃ�5�Jg�A���bu�? ��? kMy�+��` �B؃� ϥ{�}���g' X�#�9���L5�0g����� �ܗ0S. ��k��8T? �^�t@���z�`�]h����? ���䫍��M��� �`K���~�sE�yT�������eF%
���N! �Jﶺ�`l�M��? �/f: D��! �P����U�Cg1�����=�B�E���Υ=���F���L��C����B����Z�6���<^�=, > �����, 6�W 8�} �Ѳ� ���X{��@�@�:�r7{�HG*�h@�aB-8�_҈��{���)��>� �`�ۋeL<~�ʹ? w�����
2Lf�, �YG�hk}��H���h򰫐�����I4�K�"P���ܪ���Ǻ�����qi�� >o��)5���� �����:�I(���s����v2W�. �g�'���)ê�@B3��XQ��t å�G��Ŭ>���q�������! �J����^e܊}������_������u�'�u��N�O? Ogfꔓ����z��V��� WH�o����o) ��J�E! ���/�-�f`g�v��}tb�P]5ŋws�/�ud��r��. �t�V�T�B1b{)z�N��? ���U�~�F���,�����i�Տ��^�szv��w�v����y�N_7�q���:��M��ݠm�Z�7�׭��O8�X����M4��'����g������V��ތ����_��<�ޘ�! �٧2�[� �nYΟ��]X�CQd�8b��fC
��'5��b�a�P�+�h�؀;��Wq�"ź��us�]��D� x>֔f��)���/���[��1�e5��. D����)�%U��4ގhX! �����&�C�/�e46�4�D���z L�5�����*����c�߀f���f�R�;���l,BNn��E�43�� �0 �d����5� ����� �h*�L��kH�#��93�q>9� ���8bl3��C]�� E@Q6��ZGh�p��! ��%���� �h��8�{Ŏ�j,�) g#��00* C%6=��{� O���cT���L���! ���2E/��va��%����q�D���hJxl�����`��Z#�p&��&��( D����QH��'�&P>"Z~<! �! ��8�:��xc6�L��tH�@p�����r]�V�V�p���JD�x��;R8�E�/� `�J� �'B�`�8����
��a�l����
��
mƁ rI� �+�ɟh�X��Q��J�{� {D8�u, PA�4�}�? Y. i=�A S%�AY:�#>���������OD�! �v. �[��%������}��Ip�#�VD GD�56�5��YÙ��dʠ @C��1�3�膨d^qm+LC�a��U, �i@F<�I�q��gS� Қ�_�c ��雴5PK�8n�Z32�ۅd-�M�}�w^J�A�~1��K sy;�,S8��H��X�. �JOp����t>Ҵ>�g��b>�I�S��֭�b扟�f�5I��j�:>�PZ8sE���jD@�]T! �0‖bv]0�ddQ���Vt��~�����������(Q-��}� ����z��j� ��%�:� ��K���ݮ�E��. cA����+ΜX�E��"���@gB��+�G�f�^�
�%�2pA���KT�W_�&����D "a�R�`�Ѣ�d7' �
��@�ob̽L���V���>�
��! r= 7f���f�l�c-�U���P5]�3����� 2�`���#x���<(w��0�V��S�ebp���k
�! ���p�L~�����^���
�����0��ao����3��a? � h�}�ULZ����B�4D��@��"z��y
s�#b�# ���6�g�U�脕�h ��. F(bE��� ����&�:Ɓ��Z�=�i�q� �W���. �z00�&. �^��8Bf�u �(t�h�g��>�ޓq"�i�"W����m��i2 �>�23 T��"WH ���X> v���JʎRoF���+�兏R�a�f � JEv��. �. I:<�u�ܧcB�g:��Io"j8#�������n� F���*z�xp 6`�. 9��Eh�x��ߘ���mi�- 1P�~�cp^ x�xנ�7 m��v������f]�q�L��BgT� � �F�(��HG����ph������gxՍ�} ��)����8������sP��i��ҩ��]�8�#<"�! �L� �mȓ��'�A)e���-~��Q0�EF���O�Z�8�1uE���^�5�� �/�,qj`5x�ds�j 8ɎAZ�EO��"���L����sa! Z��Є4F�)��j@����U���I @���O<�3�-q;�³z�b������WpZ���# ������. ��:#E�d�%j�)Y��1# pON���= �xg���T� 1ա#RMF�N�M�
�i�D���YΎ�� ��&�O�H�` �`�P,�"29�r� �"f[H1qʎP��3��@;���7�% 9O/��]�F'�@��lL��X �SاAI? kX( �Q# R���玸H�����'�V7+�b�UIw�G���) ��5�X�&���#�1)��Ih���q<�uA㒕6q��ѣ�p�%���1_�����ja��E�WԇVύ1�L� �>���@��1F���zm G�)7����-�s��H#e�" ��ͩ�G����;�� �p��'ۜh�:x�` p��y�y�4:�`ڭ�Enr,X�5��/ ��Sd�Z� �S�d��dA9L�tƎ
��r)��+X����*CR�&�f������M���/)�ٸH�L���ħ]A>��dH��(��-Pb�n, T��� �>���)�u�E{ �zN'c`W��k�&e�j4� �t"�&�Md}Sc,G���T�99UEJ9*�Fw%M�[�̉����@�A��FGi<` �`k&�r�F3�����, r}�NW�y΍2��-�;p_CψuJ� Z`O���d+n*�⭈{��{4��͵�s��π�ː����Ȅ�- ��I��pZjg'���J�TL��6���p��h����I��1. ��=1q&5�����v�'T���%�8A<�zLx��= ��! gq�Q%�LF���X2L�nO��u�
0TAQ�"����q��J��(�4m2�Ca:�/�'M�Ő�)�)S,�t j���1:�xv_�{ �1U�f�y�grsS~a&���������n��`�W,�Z��aHkb�@���,�@���~�ޞ�i�m~��KE�3ug��0�͵�Ī��N4���vK��܏q�dusc��5�'����xQ���6K( }���j�+bc(NB�]�B͒�iɺ. �4P�+��d��"�J� =P����� V��q��)W�>��q1>�? ���:���:��io�+�wœ���&�ҸY�y�&�״�ġY��L��~���S�z �%H�%�������»�P(a���w�����a�Z��q���? �۾? ��+����CA�nn? N���- P� i8� ' ���C8��Vd�� ��V̌;X` �V��4�����]n_ ������]E��9��u�s���9�r��0NEZ�Q�o��k��q���a�ծ�i2��A��>t#譙���Pނ���ӭI�*�����F�S� ��:Z`V�)H,{���E-0ϓ�,�p�����? G˒���# ��! �? ���5�~Yr�fY� �OۏA(��,W�1ٍoex0^ �. p������4#��, �q����{�&z�&gVAWkK��9T� 4�"�� w���V"��OV����. ����s�����! �[ �b( �Z���dY_�, W��"y�(M�54y`4�A���5�� =�t_�X� ׄ�7�>�p��ڼ>�� m��. �
�*VtYoW�? �}c�FK���#Av��Ư���@� S�Z�rAi�������]D( 1�Y��b ���%��n�eZ� �K��n ֳ��@�19]ǃX߻�%�b�n�������n,a��Or�]f]�t�'킾rJFW�'��Q-l��=̙˻c<�Ƃ@ފ}z�[ة�ó����{v�jc@�Ύ������h�tt�yx2"V�}�{��Qs�svt�h���ק�:l�ݨ�' ڭ�{������9i�ۍՐ �}�̺U�s�9i�5[gv�hwZ�l�N�H��/��i�U�x5�Ca�U��, �{ �v��o�! uX�~�8}��U��r�����n��M��uNޯQ~O(���e��ڜu�+��cU
Z�����Vkx���O�~�,uvX_��A? �! p@�'턗^5ۇ�� �#�����:8h4ػ����J��,E! NkH�>
*9t�#�0����k�
�������U��txtD��A����{0�)�s�}���ěf�p�����x%�p ��� �z��zd�����]�` q��/�����گ���D�N��+�Yz
�2m�? ���.

National theatre live 3a cyrano de bergerac org. National Theatre Live: Cyrano de. Cyrano de Bergerac by EDMOND ROSTAND adapted and directed by JOSEPH HAJ McGuire Proscenium Stage March 16 - May 5, 2019 Cyrano de Bergerac is the full package: hes a poet, playwright and consummate swordsman. The only thing standing in the way of declaring his love for Roxane is his grotesquely large nose. When Roxane confesses that shes fallen for a handsome young cadet named Christian, Cyrano takes him under his wing, adds brains to his beauty and, through Christian, expresses his own feelings to Roxane without her suspecting a thing. Wit, wordplay and rousing passion make this a heroic comedy for the ages. Three things to know When  Cyrano de Bergerac  premiered in 1897, the audience applauded for over an hour after the final curtain. Director and adapter Joseph Haj combined his working knowledge of French with two English translations to pen this new version. The play inspired 1987 film  Roxanne, a rom-com starring Steve Martin as the large-nosed C. D. Bales and Daryl Hannah as Roxanne. Play guide Want to dig deeper into the story?  Download the  play guide. Feature " The big-nosed title character looms large, but he's just one in a trio of characters at the Guthrie. " Read the full Star Tribune article. Travel back in time for this quick Q&A with Cyrano de Bergerac. Read the full Pioneer Press article. Trailer Ever been tongue-tied? Cyrano to the rescue. Jay O. Sanders, who plays Cyrano, lends his profile to create the iconic nose. The cast of the Guthrie Theaters production of Cyrano de Bergerac. Photo by T Charles Erickson. Jennie Greenberry and Jay O. Sanders in the Guthrie Theaters production of Cyrano de Bergerac.  Photo by T Charles Erickson. Jason Rojas, Eric Shabla, Jay O. Sanders, and Mark Mazzarella in the Guthrie Theaters production of Cyrano de Bergerac.  Photo by T Charles Erickson. The cast of the Guthrie Theaters production of Cyrano de Bergerac.  Photo by T Charles Erickson. Robert Lenzi and Jay O. Sanders in the Guthrie Theaters production of Cyrano de Bergerac. Photo by T Charles Erickson. Cast Ansa Akyea GUTHRIE Cyrano de Bergerac, Harvey, To Kill a Mockingbird, Clybourne Park, The Winters Tale. THEATER Barrington Stage Company: America v. 2. 1; Penumbra Theatre: Pipeline; Mixed Blood Theatre:  How to Use a Knife; Park Square Theatre:  Cardboard Piano;  Artistry: Our Town; Ten Thousand Things:  Othello,  Pericles; Childrens Theatre Company:  The Lorax,  Last Stop on Market Street; Jungle Theater:  Bars and Measures. FILM/TELEVISION   The Fence and the Fox,  The House of Tomorrow,  Memorial Day, Kid West,  Into Temptation; “In an Instant” (ABC. AWARDS Theatre Communications Group Fox Foundation Fellowship; McKnight Theater Artist Fellowship; Playwrights Center Many Voices Fellowship;  City Pages  Best Actor. OTHER  Member of SAG-AFTRA.  TRAINING  M. F. A., University of Iowa. @ansaakyea (IG) Remy Auberjonois GUTHRIE Cyrano de Bergerac, Noises Off, Sense and Sensibility. THEATER Broadway: The Assembled Parties, Death of a Salesman, White Christmas, The Country Girl, Frost/Nixon; Off-Broadway (selected) The Public Theater; Manhattan Theatre Club; Atlantic Theater Company; Ensemble Studio Theatre; HERE; Regional (selected) Williamstown Theatre Festival; McCarter Theatre; Dallas Theater Center; The Old Globe; Hamptons Shakespeare Festival; The Shakespeare Theatre of New Jersey; Mark Taper Forum. FILM/TELEVISION The English Teacher, Fair Game, The International, Michael Clayton; Director of the Minnesota-made film Blood Stripe (LA Film Festival Award, Provincetown Film Festival Award, Twin Cities Film Festival 2016) More than 35 television series, including “Blindspot” and recurring roles on “Show Me a Hero, ” “The Good Wife” and “The Americans. ” TRAINING M. A., Yale School of Drama Robert O. Berdahl Cuigy/Third Poet/Sixth Cadet GUTHRIE More than 20 productions since 1999, including Cyrano de Bergerac,  The Royal Family, The Music Man, A Christmas Carol, The Sunshine Boys, H. M. S. Pinafore, The 39 Steps, Macbeth, Little House on the Prairie, 1776, Pygmalion, Othello, Pride and Prejudice, Twelfth Night and The School for Scandal. THEATER Warm Beer Cold Women (writer/director) Ordway Center for the Performing Arts: Mamma Mia. Minnesota Orchestra: Home for the Holidays; Chanhassen Dinner Theatres: Beauty and the Beast; The Music Box Theatre: Triple Espresso; History Theatre: Sweet Land; Hope Summer Repertory Theatre: Our Town; Hey City Stage: Forever Plaid. TRAINING Gustavus Adolphus College; California Institute of the Arts. Kaitlyn Boyer First Lady/Second Cadet/Sister Claire GUTHRIE  Debut.  THEATER  Oasis Theatre Company:  A Midsummer Nights Dream; Playwrights Center:  Visible  (staged reading) Dangerous Productions:  Spring Awakening; University of Minnesota/Guthrie Theater B. A. Actor Training Program:  Seven Guitars, The Beaux Stratagem, Eumenides, Titus Andronicus, The Winters Tale, In the Blood.  TRAINING University of Minnesota/Guthrie Theater B. Actor Training Program Nate Cheeseman Marquis/Musketeer/Fifth Cadet GUTHRIE  Cyrano de Bergerac,   Juno and the Paycock.  THEATER  Oregon Shakespeare Festival:  Sense and Sensibility; Goodman Theatre: Bernhardt/Hamlet; Jungle Theater:  Lone Star Spirits,  The Wickhams, Stinkers; Park Square Theatre:  33 Variations,  Romeo and Juliet; Minnesota Jewish Theatre Company:  A Strange and Separate People; Montana Shakespeare in the Parks:  As You Like It,  Romeo and Juliet,  Richard III,  The   Comedy of Errors,  Macbeth,  You Never Can Tell,  Twelfth Night. TRAINING  University of Minnesota/Guthrie Theater B. Actor Training Program Fernando Collado Second Cavalier/Fourth Poet/Second Page/Spanish Voices GUTHRIE Cyrano de Bergerac,  West Side Story, A Christmas Carol (2016. THEATER Ordway Center for the Performing Arts: In the Heights; Mixed Blood Theatre: Safe at Home; Chanhassen Dinner Theatres: Sister Act; Pantages Theatre: Bees; Fulton Theatre: Lend Me a Tenor; Dix Hills Performing Arts Center: Spring Is Here, Cabaret, Stolen, Art, La Cage aux Folles, The Full Monty; John Cranford Adams Playhouse: Oklahoma! AWARDS Ivey Award ( Safe at Home) MN Theater Award for Exceptional Overall Production ( In the Heights. TRAINING, Five Towns College. @theweeklyfreddy (IG) Cameron Folmar Count de Guiche GUTHRIE The Legend of Georgia McBride. THEATER Broadway: The 39 Steps; Off-Broadway: Martin Luther on Trial, Volpone, The Merchant of Venice, The Jew of Malta, Five by Tenn (Drama League Award nomination) Waiting for Godot; Regional: Shakespeare Theatre Company (affiliated artist) The Kennedy Center; Arena Stage; Seattle Repertory Theatre; McCarter Theatre Center; Studio Theatre (Helen Hayes Award nomination) Santa Cruz Shakespeare. TELEVISION “Conviction, ” “Law & Order: Criminal Intent. ” VOICEOVER Eight years voicing Genn Greymane in “World of Warcraft. ” TRAINING The Juilliard School Jennie Greenberry GUTHRIE Pericles. THEATER Off-Broadway: Lucky Duck (New Victory Theater) Regional: Loves Labours Lost, Beauty and the Beast, Hamlet, Pericles, Into the Woods, Antony and Cleopatra, The Cocoanuts (Oregon Shakespeare Festival) Loves Labours Lost (Chicago Shakespeare Theater) Pericles (Folger Theatre) Into the Woods (Wallis Annenberg Center) Spamalot (Music Theatre Wichita) Little Shop of Horrors, Pippin, A Christmas Story: The Musical, A Christmas Carol (Kansas City Repertory Theatre) Aint Misbehavin, Shipwrecked! Spinning Tree Theatre) Hairspray (New Theatre Restaurant) Seussical, Once on This Island, The Wiz, U:BUG:ME (The Coterie Theatre) Footloose (Allenberry Playhouse) Murder by the Book (American Heartland Theatre.  @berriesofgreen (IG) Charity Jones Duenna/Mother Marguerite GUTHRIE  More than 20 productions, including  Cyrano de Bergerac, A Christmas Carol, Romeo and Juliet, King Lear, Hay Fever, The Intelligent Homosexuals Guide …, A Delicate Balance, Shadowlands. THEATER History Theatre:  Gloria: A Life, Teen Idol;  Jungle Theater:  You Cant Take It With You, The Heiress, The Dazzle,  Hapgood; Park Square Theatre:  Calendar Girls, Sexy Laundry, The Sisters Rosensweig; Childrens Theatre Company: More than 60 productions; Shakespeare Theatre Company; American Conservatory Theater; Mixed Blood Theatre; Eye of the Storm; Theatre de la Jeune Lune; Kansas City Repertory Theatre; The Acting Company Robert Lenzi GUTHRIE Debut. THEATER Broadway: Tuck Everlasting,  South Pacific; Off-Broadway: Dogfight (Second Stage) Hello Again (Transport Group) Regional: Assassins (Yale Repertory Theatre) Tuck Everlasting (Alliance Theatre) Road Show (Chicago Shakespeare Theater) SOUL The Stax Musical, Into the Woods (Baltimore Center Stage) Into the Woods (Westport Country Playhouse. FILM/TELEVISION The Last Airbender, Sex and the City 2, The Happening, The Village; “ Orange Is the New Black, ” “Unbreakable Kimmy Schmidt, ” “The Good Fight, ” “Deception, ” “Blue Bloods, ” “One Life to Live, ” “Live From Lincoln Center, ” “Clubhouse. ” TRAINING B. A., Acting, Carnegie Mellon University.  (IG, TW) Joel Liestman Montfleury/Customer/Sentry GUTHRIE   Cyrano de Bergerac, West Side Story,  South Pacific,  To Kill a Mockingbird,  The Music Man,  A Christmas Carol,  My Fair Lady,  The Master Butchers Singing Club,  A View From the Bridge.   THEATER Thirty Saints/Broadway Asia:  Joseph …; Ordway Center for the Performing Arts:  Broadway Songbook  (seven productions) Cinderella, Joseph  …,  The Sound of Music,  The Rocky Horror Show; Nautilus Music-Theater:  The View From Here,  I Am Anne Frank,  Joan of Arc, The Apple Tree,  Carousel,  Man of La Mancha; PRIME Productions:  Two Degrees; Childrens Theatre Company; History Theatre; Illusion Theater; Old Log Theatre; Theater Latté Da; Wagon Wheel Playhouse.  FILM/TELEVISION   Bobbys Run Off; “In an Instant. ”  WEB  “Theater People. ” PODCAST “The Movie Show With Joel & Ryan. ” Mark Mazzarella First Cavalier/Fourth Cadet/Musical Page GUTHRIE Debut. THEATER Nebraska Shakespeare: King John, Much Ado About Nothing; Shakespeare's Globe: Henry V; Edinburgh Festival Fringe: Sonnets for an Old Century; Island Stage Left: Romeo and Juliet, Cymbeline, The Taming of the Shrew; University of Minnesota/Guthrie Theater B. Actor Training Program: As You Like It, In Arabia We'd All Be Kings. TRAINING University of Minnesota/Guthrie Theater B. Actor Training Program (class of 2020. zzarella (IG) Andrea Mislan Actress/Lise/Nun GUTHRIE   Cyrano de Bergerac,  West Side Story.  THEATER  Chanhassen Dinner Theatres: Holiday Inn (ensemble) Collide Theatrical:  Dracula  (Lucy)   Le Petit Moulin  (Juliette) History Theatre:  Dance Til You Drop (Vonnie) International tour of  Chicago  (June/Velma, Mama Morton u/s) Cirque du Soleil:  Viva Elvis; Celine Dions  A New Day; Pioneer Theatre Company:  White Christmas  (dance captain) Cape Fear Regional Theatre:  White Christmas  (Judy Haynes)   Peter Pan  (Tiger Lily) Royal Winnipeg Ballet:  Swan Lake,  The Nutcracker,  Giselle,  La Bayadère,  Serenade,  Don Quixote.  TELEVISION  “The Toy Castle, ” “The Tonight Show with Jay Leno, ” “Oprah, ” “Ellen, ” “Biography” (A&E) “Lets Make a Deal, ” “Inside the Osmonds. ” @mizzymaz (IG) David O'Connell Brissaille/Second Poet/First Page GUTHRIE  Debut.  THEATER  Trinity Repertory Company:  A Christmas Carol,  Romeo and Juliet; The Wilbury Theatre Group:  Next to Normal; Cedar Summerstock Theater:  The Pirates of Penzance, James and the Giant Peach, Little Shop of Horrors, Main-Travelled Roads, The Music Man, Annie, Jesus Christ Superstar; University of Minnesota/Guthrie Theater B. Actor Training Program:  Platonov, Body Awareness, Titus Andronicus,  The Winters Tale, The Beaux Stratagem, Eumenides. FILM /TELEVISION   Evening, Moonrise Kingdom; “Brotherhood. ” TRAINING  University of Minnesota/Guthrie Theater B. Actor Training Program Jason Rojas Bellerose/First Poet/First Cadet GUTHRIE Frankenstein – Playing With Fire, Romeo and Juliet, King Lear, Arms and the Man. THEATER Oregon Shakespeare Festival: Romeo and Juliet, As You Like It; Trademark Theater: The Boy and Robin Hood; Park Square Theatre: A Midsummer Nights Dream, Cyrano de Bergerac, Romeo and Juliet, Sherlock Holmes and the Ice Palace Murders, Of Mice and Men; Great River Shakespeare Festival: Julius Caesar, As You Like It; Gremlin Theatre: Rocket to the Moon; Workhaus Collective: Feast of Wolves; Theatre Forever: Muy Very Authentico; Mixed Blood Theatre: The House of the Spirits; Hope Summer Repertory Theatre: Room Service, Charlottes Web; Minnesota Centennial Showboat: The Count of Monte Cristo. Actor Training Program Jay O. Sanders GUTHRIE  Debut.  THEATER  Broadway: Pygmalion, Saint Joan; Off-Broadway:  Uncle Vanya (Hunter Theater Project) The Gabriels trilogy (live stream and world tour) The Apple Family Plays (European tour) King Lear, Stuff Happens, Titus Andronicus, Twelfth Night, A Midsummer Nights Dream (The Public Theater) Uncle Vanya (The Old Globe) National: Theater of War. FILM/TELEVISION   Hamlet 360 (virtual reality) The Day After Tomorrow, Tumbleweeds, JFK, Angels in the Outfield; “Sneaky Pete, ” “True Detective” (season one) “The Sinner” (season two.   PLAYWRIGHTING  Unexplored Interior (Mosaic Theater Company. WRITING A World in Common: An Actors Diary.  VOICEOVER NOVA, Secrets of the Dead. TRAINING  B. A., Purchase College, State University of New York Eric Schabla Valvert/Third Cadet GUTHRIE Debut. THEATER American Players Theatre: As You Like It, Measure for Measure, Born Yesterday, Death of a Salesman, The Comedy of Errors, King Lear; Utah Shakespeare Festival: A Midsummer Nights Dream, As You Like It, The Tavern; Chicago Shakespeare Theater: A Midsummer Nights Dream, Romeo and Juliet (Short Shakespeare) Milwaukee Shakespeare; Kansas City Repertory Theatre; Back Room Shakespeare Project; Childrens Theater of Madison; University of Minnesota/Guthrie Theater B. Actor Training Program: Earthquakes in London.  TRAINING University of Minnesota/Guthrie Theater B. Actor Training Program; Shakespeares Globe. Christine Weber Buffet Girl/Sister Martha GUTHRIE   Cyrano de Bergerac, Pride and Prejudice,  The Winters Tale,  A Christmas Carol,  Romeo and Juliet  (The Acting Company)   When We Are Married,  The Merchant of Venice. THEATER Jungle Theater:  Little Women; Arrow Theater: Boston Marriage; Idaho Shakespeare Festival/Great Lakes Theater Festival/Lake Tahoe Shakespeare Festival: Twelfth Night,  My Fair Lady,  Loves Labours Lost,  As You Like It; Aquila Morong Studio; Walking Shadow Theatre Company; Theatre LHomme Dieu; Childrens Theatre Company.  FILM/TELEVISION Sold Out, The Final Scene, Relationship Status; “Twin Cities. ”  TRAINING  University of Minnesota/Guthrie Theater B. Actor Training Program View More Creative Edmond Rostand Playwright Edmond Rostand was born April 1, 1868, in Marseille, France. While studying law in college, he also pursued his literary interests by writing plays and poems. The French public became aware of Rostand in 1890 when he published his poetry collection, Les Musardises. One of his poems laments that France no longer admires the spirit of the knight-errant — a theme he repeated in Cyrano de Bergerac. On December 28, 1897, Cyrano opened at the Porte Saint-Martin Theatre in Paris. Although the theater community had doubts about its value, Cyrano s success solidified Rostands position in Parisian social circles, and in 1901, he became the youngest member admitted into the French Academy... Especially with Cyrano, but also with The Princess Far-Away, The Eaglet and Chanticleer, Rostand is credited with reviving romance and heroism on a turn-of-the-century French stage dominated by realism. He is also known for his early comedic success The Romancers, which inspired the 1960 Off-Broadway musical The Fantasticks. Rostand died on December 2, 1918. Joseph Haj Director/ Adapter GUTHRIE Cyrano de Bergerac (adapter/director)   West Side Story, Romeo and Juliet, Sunday in the Park With George, King Lear, South Pacific, Pericles. THEATER Folger Theatre: Hamlet (Helen Hayes Award for Outstanding Production) Oregon Shakespeare Festival: Henry V, Pericles; PlayMakers Repertory Company: The Tempest, Metamorphoses, Cabaret, Henry IV, Henry V, Nicholas Nickleby, The Illusion, Amadeus, Pericles, Big River, As You Like It, Cyrano de Bergerac (adapter/director) Into the Woods; PlayMakers Repertory Company artistic director, 2006–2015. As an actor, he has appeared at the Guthrie Theater, The Public Theater, Alley Theatre, Mark Taper Forum, Ahmanson Theatre, Actors Theatre of Louisville and internationally in Salzburg, Edinburgh, Paris, Berlin, Venice and Japan. OTHER Directed projects in a maximum-security prison in Los Angeles; Batesburg-Leesville, South Carolina; the West Bank; and Gaza. AWARDS 2000 NEA Millennium Grant awarded to 50 of Americas finest artists; Named one of 25 theater artists who will have a significant impact on the field over the next quarter-century by American Theatre magazine; 2014 Zelda Fichandler Award McKay Coble Scenic Designer GUTHRIE Debut. THEATER Broadway:  La Cage aux Folles, Big River, Sunday in the Park With George, Singin in the Rain, Merlin, Private Lives; Regional: Matilda (Virginia Stage Company) The Road to Mecca  (Clarence Brown Theatre)   The Death of Papa  (Hartford Stage)   Love! Valour! Compassion! A Streetcar Named Desire  (Alley Theatre)   The War of the Roses, Othello, Twelfth Night  (Utah Shakespeare Festival) PlayMakers Repertory Company member for 30 years, including  Sherwood: The Adventures of Robin Hood, Leaving Eden, Dot, My Fair Lady, Peter and the Starcatcher, An Enemy of the People, The Tempest, Metamorphoses, Its a Wonderful Life, Red, Noises Off, The Parchman Hour, Big River, Nicholas Nickleby, Amadeus, The Little Prince, The Illusion, Cyrano de Bergerac, Not About Heroes, The Playboy of the Western World, A Streetcar Named Desire, The Nutcracker, A Christmas Carol, A Childs Christmas in Wales and more.  FILM The Cotton Club, Indiana Jones and the Temple of Doom, Ghostbusters, Silkwood, Maxie, Places in the Heart Jan Chambers Costume Designer GUTHRIE Sunday in the Park With George, Pericles.  THEATER Folger Theatre: Pericles, Hamlet; PlayMakers Repertory Company (resident set and costume designer) Skeleton Crew, Leaving Eden (premiere) The May Queen, Sweeney Todd, 4000 Miles, Vanya and Sonia and Masha and Spike, Red, The Making of a King: Henry IV and Henry V, Fences, Pericles, Angels in America, Nicholas Nickleby, Topdog/Underdog, Doubt, The Tempest, Metamorphoses, The Glass Menagerie; Oregon Shakespeare Festival: Pericles, Henry V; Only Child Aerial Theatre: Asylum; Profile Theatre: Silver River; Victory Gardens Theater: Hard Love; Merrimack Repertory Theatre: Lovers; Archipelago Theatre/CINE (resident set and costume designer) The Reckoning,  The Narrowing, Out of the Blue, The Woman in the Attic, Blue Roses, Eulogy for a Warrior, Ten in One, Those Women Rui Rita Lighting Designer GUTHRIE Disgraced, Pericles. THEATER Broadway: The Trip to Bountiful, The Velocity of Autumn, Present Laughter, Dividing the Estate, Old Acquaintance, Enchanted April, The Price, A Thousand Clowns; Off-Broadway: Skeleton Crew (Atlantic Theater Company) Happiest Song Plays Last (Second Stage) Just Jim Dale, Talleys Folly, The Milk Train Doesnt Stop Here Anymore (Roundabout Theatre Company) The Piano Lesson, Horton Footes The Orphans Home Cycle (Signature Theatre) Engaged (Obie Award) Alls Well That Ends Well (Theatre for a New Audience) Nightingale, Moonlight and Magnolias (Manhattan Theatre Club) Big Bill, The Carpetbaggers Children, Far East (Lincoln Center Theater) Dinner With Friends (Variety Arts Theatre) Regional: Alley Theatre; American Conservatory Theater; Arena Stage; Baltimore Center Stage; Center Theatre Group; Fords Theatre; Hartford Stage; Huntington Theatre Company; Kennedy Center; The Old Globe; Oregon Shakespeare Festival; Shakespeare Theatre Company; Two River Theater; Williamstown Theatre Festival Elisheba Ittoop Sound Designer GUTHRIE   West Side Story,  Sunday in the Park With George.  THEATER  The Kennedy Center; The Public Theater; New York Theatre Workshop; Manhattan Theatre Club; MCC Theater; American Repertory Theater; Steppenwolf Theatre Company; Signature Theatre; Huntington Theatre Company; McCarter Theatre Center; Oregon Shakespeare Festival; National Gallery of Art; Soho Rep. Denver Center for the Performing Arts; Shakespeare Theatre Company; Two River Theater; Womens Project Theater; Triad Stage; Woolly Mammoth; Arena Stage; Alliance Theatre; Cincinnati Playhouse; Cleveland Play House; Everyman Theatre; Contemporary American Theater Festival; La MaMa; 59E59 Theaters; Childrens Theatre of Charlotte; Bonnaroo Music & Arts Festival; Okeechobee Music & Arts Festival; Center for Puppetry Arts.  TRAINING  M. A., University of North Carolina School of the Arts. Jack Herrick GUTHRIE Cyrano de Bergerac, Pericles. THEATER Broadway: Fool Moon (Richard Rodgers Theatre) Off-Broadway: A Lie of the Mind (Promenade Theater) Wilder (Playwrights Horizons) Lone Star Love (John Houseman Theatre) Big Apple Circus (Lincoln Center Theater) International: Wales Theatre Company; Altonaer Theater (Hamburg) A Childs Christmas in Wales; Regional: Pericles (Oregon Shakespeare Festival) Hamlet (Folger Theatre) Fool Moon (Kennedy Center) Kudzu (Fords Theatre) Georama (Repertory Theatre of St. Louis/Great River Shakespeare Festival) The Merry Wives of Windsor, Texas (Alley Theatre) Big River (La Jolla Playhouse) Pericles, Twelfth Night, Sherwood: The Adventures of Robin Hood (PlayMakers Repertory Company) Ear Rings, Glory Bound, The Tempest (Lime Kiln Theater. AWARDS Tony Award ( Fool Moon) Kevin Kline Award ( Bah! Humbug. Lucille Lortel Award nomination ( Lone Star Love) Drama Desk Award nominations ( A Lie of the Mind, Fool Moon) Helen Hayes Award nomination ( Hamlet. Carla Steen GUTHRIE More than 60 productions since 1996, most recently including Noura,  Steel Magnolias, The Glass Menagerie, Guys and Dolls, Cyrano de Bergerac, As You Like It, Noises Off, Frankenstein – Playing With Fire, West Side Story, Familiar, Blithe Spirit, Romeo and Juliet, Sunday in the Park With George, King Lear, The Lion in Winter and Sense and Sensibility. THEATER Dramaturgy for the University of Minnesota/Guthrie Theater B. Actor Training Program, Hammerstein Center, NYU Tisch School of the Arts and Augsburg University ( Cymbeline directed by Darcey Engen. PROFESSIONAL AFFILIATIONS Member of Literary Managers and Dramaturgs of the Americas (LMDA. TRAINING M. A., Columbia University; B. A., Augsburg University Robert Ramirez Voice and Text Coach GUTHRIE West Side Story. THEATER Oregon Shakespeare Festival; American Players Theatre; Illinois Shakespeare Festival (voice and text director) Arkansas Shakespeare Theatre (director) The Public Theater (at the Delacorte Theater in New York City) Alabama, Utah, Notre Dame, Illinois, Great River, Baltimore and Wisconsin Shakespeare Festivals (actor. VOICEOVER 20 years with Recorded Books; Random House Audio. AWARDS AudioFile magazines Golden Earphones Awards. TEACHING Head of the acting program at The University of Texas at Austins Department of Theatre and Dance. A., P. T. P. University of Delaware; Theatre Academy at Los Angeles City College Kara Wooten Fight Director GUTHRIE   Romeo and Juliet.  THEATER  PlayMakers Repertory Company:  Sherwood: The Adventures of Robin Hood, Macbeth, Cyrano de Bergerac; Soulpepper:  Uncle Vanya; Night, Mother; Twelve Angry Men; The National Ballet of Canada:  Hamlet; Teatro del Giglio: La Fanciulla del West; Michigan Opera Theatre:  Cyrano, Macbeth; Opera Carolina:  I Dream, Pagliacci, Romeo et Julietta, Tosca.  FILM/TELEVISION Fracture (2019) Blood Pressure (feature) “Designated Survivor, ” “Rookie Blue” (ABC) “Wayne” (YouTube) “Dark Matter, ” “12 Monkeys, ” “Bitten, ” “Killjoys” (SYFY) “Zombies” and “Aaron Stone” (Disney) “Transporter: The Series” (TNT.   TEACHING  Stratford Festival's Birmingham Conservatory; Equity Showcase; Soulpepper Academy.  WRITING   Acted Aggression. TRAINING  Ph. D., Texas Tech University; Master instructor, Academy of Dramatic Combat Katie Hawkinson Stage Manager GUTHRIE Stage manager: Cyrano de Bergerac, BAD NEWS! i was there…; Assistant stage manager: Steel Magnolias, Floyds, A Christmas Carol (2018) Guess Whos Coming to Dinner, Romeo and Juliet, The Bluest Eye. THEATER Chanhassen Dinner Theatres; Ordway Center for the Performing Arts; Minnesota Orchestra; Jungle Theater; History Theatre; Dark & Stormy Productions; Cardinal Theatricals; Stages Theatre Company; New Theatre Group; Theater Latté Das NEXT Festival; Playwrights Center. OPERA Minnesota Opera; Skylark Opera; Mixed Precipitation. TRAINING B. A., Lawrence University Michele Hossle Assistant Stage Manager GUTHRIE Stage manager: Noises Off, West Side Story, Native Gardens, A Christmas Carol, Freuds Last Session, God of Carnage, Dollhouse, Tiny Kushner, Little House on the Prairie, Pen, Private Lives, Pericles; Assistant stage manager: More than 30 productions, including Indecent, Refugia, The Royal Family, South Pacific, Harvey, Stage Kiss, Joe Dowlings Tribute Gala, Juno and the Paycock, A Midsummer Nights Dream (2008 and 2015) My Fair Lady, Clybourne Park, Other Desert Cities, Roman Holiday, The Winters Tale, Macbeth, Peer Gynt, The Glass Menagerie, The Great Gatsby, Pride and Prejudice, Top Girls and The Comedy of Errors; Tours: Death of a Salesman (Dublin Theatre Festival) Othello. THEATER Penumbra Theatre; The Acting Company; Contemporary American Theater Festival. OTHER Minnesota Vikings Halftime Show; NHL Stadium Series Maija García Movement Consultant GUTHRIE Director of professional training (B. A., M. A., Fellowships) West Side Story (choreographer. DIRECTION FELA! world tour)   Salsa, Mambo, Cha Cha Cha (Havana, Cuba) The Legend of Yauna (BAM Fisher) Stories of Service: An Evening With Veterans (UMS) I Am New York: Juan Rodriguez (El Museo del Barrio) Ghosts of Manhattan: 1512–2012, an interactive history  (Organic Magnetics. CHOREOGRAPHY Kiss My Aztec! Berkeley Repertory Theatre/La Jolla Playhouse) Snow in Midsummer (Oregon Shakespeare Festival) Cuba Libre (Artists Repertory Theatre) Hatuey: Memory of Fire (Montclair Peak Performances) Another Word for Beauty (Goodman Theatre) Fats Waller Dance Party (The Kennedy Center) FELA! on Broadway and at National Theatre of London; Neighbors (The Public Theater. FILM/TELEVISION Director of movement for Spike Lees BlacKkKlansman, Chi-Raq (Amazon) and “Shes Gotta Have It” (Netflix. TEACHING NYU Graduate Acting; The City College of New York. Lauren Keating Intimacy Consultant GUTHRIE Associate producer; A Christmas Carol (director, 2017 and 2018) As You Like It, Frankenstein – Playing With Fire (intimacy consultant. THEATER DIRECTION Twin Cities: Small Mouth Sounds (Jungle Theater) Rhinoceros (7th House Theater) Playwrights Center; Off-Broadway: The Architecture of Becoming, Als Business Cards; Regional: Antigone (Cleveland Play House, upcoming) The Antony and Cleopatra Project (McCarter Theatre Center) Translations (Yale University) Ars Nova; 3-Legged Dog; Williamstown Theatre Festival; The Flea Theater; NYU; Fordham University; The University of New Mexico. FILM “The Feminist Cooking Show” (web series) Power Out (short film. TEACHING The New School; Brooklyn Academy of Music; The Public Theater. AWARDS Mellon/Theatre Communications Group Leadership U[niversity] Fellow; Time Warner Foundation Fellow with WP Lab; Oregon Shakespeare Festival FAIR; Lincoln Center Theater Directors Lab (member) Drama League Directors Project Fellow. TRAINING NYU Tisch School of the Arts. HOW TO GET HERE Know Before You Go How to rent the Guthrie.

Im confused because that scene is supposed to be between Puck and Oberon. That's the cutest Shut up ever Just love everything about James 😍😍😍😍😍😍😻❤❤💓.

The way he said ‘girl love it. I saw Glass recently and his acting was absolutely phenomenal. He switches between characters with such ease, and you know he's become someone new without him even saying a word. Excellent actor, one of the best. Scrolling through the comments, it hurts my brain the fact that so many people dont know that Scotland is in Britain and unsurprisingly theyre all American. National theatre live: cyrano de bergerac film. National theatre live: cyrano de bergerac dvd. Yes he played an animal before... mr tumnus from Narnia. Why does he look so hotttttt. National theatre live: cyrano de bergerac 2.

National theatre live: cyrano de bergerac youtube. National theatre live: cyrano de bergerac paris. Cinema Live On Screen A wonderful reimagining of the 1897 play by Edmond Rostand. Director: Jamie Lloyd Starring: James McAvoy Running time:  3h (the full running time, inclusive of trailers) James McAvoy (X-men, Atonement) takes the title role in this inventive new adaptation of Edmond Rostand's 1897 play written entirely in verse, sometimes without a line break (caesura. Fierce with a pen and notorious in combat, Cyrano almost has it all - if only he could win the heart of his true love Roxane. Theres just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of Cyrano - or can his mastery of language set Roxanes world alight? Edmond Rostands masterwork is adapted by Martin Crimp, with direction by Jamie Lloyd (Betrayal. This classic play will be brought to life with linguistic ingenuity to celebrate Cyranos powerful and resonant resistance against overwhelming odds. When & Where Thursday, 20 February 19:00 Recommended Shows ( 13) Soft Play City: Unlimited Play Sessions Open every day from 9. 30am Cool in the summer, cosy in the winter Next event 10/02/2020 09:30 The Personal History Of David Copperfield (PG) Based on the most beloved and autobiographical of stories from the worlds best-selling author, Charles Dickens… Next event 10/02/2020 13:00 Dolittle (PG) Robert Downey Jr brings to life one of literatures most enduring characters in the classic story of a man who could talk to animals... Next event 10/02/2020 13:30 Bombshell (15) Bafta award-winning American biographical comedy-drama, based on the true accounts of several women at Fox News who set out to expose their CEO… Next event 10/02/2020 15:30 Junior Skate Gym A fun way for 9-15 years to improve roller skating skills. Next event 10/02/2020 18:30 Adult Skate Gym A new fitness class on roller skates. Next event 10/02/2020 19:30 JoJo Rabbit (12A) Writer and director, Taika Waititi brings his signature dark humour and pathos... Next event 12/02/2020 15:15 Another Coming of Monty Python's Life of Brian (12A) He's not the messiah, he's a very naughty boy! Next event 12/02/2020 20:30 Discover Cinema: Jason And The Argonauts (U) The independently made film based on the legendary Ancient Greek hero, and leader of the Argonauts… Next event 13/02/2020 13:30 Roller Skate Disco A Roller Disco that is an open skate session Next event 15/02/2020 10:00 Sonic the Hedgehog (PG) Based on the epic Sega game, this is a live-action adventure that centres on the life of the one and only, Sonic the Hedgehog… Parasite (15) A dark modern art house feature set in Korea… Next event 21/02/2020 20:30 VE Day 75: Live from the Royal Albert Hall Exactly 75 years since Prime Minister Winston Churchills announcement of the end of the Second World War, the Royal Philharmonic Concert Orchestra plus special guests will unite the nation for an inspiring and patriotic evening... Next event 08/05/2020 19:00.

National theatre live: cyrano de bergerac 1. National theatre live: cyrano de bergerac pdf. National theatre live 3a cyrano de bergerac pdf. National Theatre Live: cyrano de bergerac. I t just about works because the play is indestructible. But I can't help feeling there is something a touch perverse about a rough theatre version of Rostand's romantic melodrama in a theatre the size of the Olivier: for once, I found myself craving a bit more colour and spectacle. The fact is that Rostand wrote his play in 1897 in reaction to the growing realism of Ibsen and Zola: tendencies" he wrote, which infuriated and revolted me. But here we get a stripped-down version of the play set roughly in Rostand's own time and staged in and around a massive William Dudley steel climbing-frame with two vast walkways extending over the stalls. It would, you feel, make an exciting design for West Side Story. But it has an oddly functional feel for a play that glories in rhetoric, rodomontade, swagger and swordplay. Derek Mahon's version also does everything to bring the play down to earth. It bulges with four-letter words, calculatedly anachronistic references to "Schnozzle" Durante, euros and breezeblocks and jokey improprieties. "The pompous windbag has a waist so thick. says Cyrano of the detested Montfleury, I doubt that he has ever seen his dick. Mahon's rhymes often click wittily into place and his language is full of demotic verve but when Roxane cries, we've had too much of beauty" you feel she speaks as much for the translator as herself. Yet you can't suppress the play's inherent energy or the pathos of Cyrano's self-sacrificing love for Roxane. Howard Davies's production also fills the stage with hectic activity. There's a stirring moment, very well choreographed by Christopher Bruce, when we first see the Gascon cadets fencing and fighting like immaculate toy soldiers. This also gets its pay-off in the battle scenes when they become ragged, starving, wearily besieged figures who might almost be fighting on the Somme. Stephen Rea inhabits the title role with great skill. I'm not sure the text quite sustains his attempt to portray Cyrano as a truth-telling equivalent of Molière's Alceste. But Rea gives the rhymed lines a feeling of spontaneity and is infallibly moving in his proxy wooing of Roxane and in his final revelation of long-nurtured passion. Claire Price's duped Roxane, Zubin Varla's doltish Christian and Malcolm Storry's Machiavellian Count de Guiche also offer strongly defined performances in a deromanticised production in which Rostand finally wins out. In rep until June 24. Box office: 020-7452 3000.

National theatre live 3a cyrano de bergerac new. Invite Cillian Murphy, graham, for the love of god have him. This is a TV show of the Golden Compass. Correct. I'm in a youtube wormhole listening to James McAvoy interviews simply to listen to him speak. National theatre live 3a cyrano de bergerac live. National theatre live: cyrano de bergerac france. National theater live cyrano de bergerac. National theatre live: cyrano de bergerac tv. National theatre live 3a cyrano de bergerac lyrics. National theatre live 3a cyrano de bergerac download.

National theatre live: cyrano de bergerac de. Imagine being cast as cyrano de bergerac and being told you don't need any kind of prosthetic because your nose is massive anyway rip james mcavoy. National theatre live: cyrano de bergerac video. National theatre live: cyrano de bergerac summary. National theatre live: cyrano de bergerac la. National theatre live 3a cyrano de bergerac remix.

Cyrano de Bergerac A Play in Five Acts: Act One ‘Portrait of Cyrano de Bergerac Laurens Scherm (ca. 1689 - 1701) The Rijksmuseum Home Download Buy This Book Next: Act Two Translated by A. S. Kline Copyright 2003 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non-commercial purpose. Permission to perform this version of the play, on stage or film, by amateur or professional companies, and for commercial purposes, should be requested from the translator. Contents The Characters ‘Coquelin dans la rôle de Cyrano de Bergerac L'ILLUSTRATION, 8 January 1898, Wikimedia Commons Christian de Neuvillette Comte De Guiche Ragueneau Le Bret Carbon De Castel-Jaloux The Cadets Lignière De Valvert A Marquis Second Marquis Third Marquis Montfleury Bellerose Jodelet Cuigy Brissaille The Doorkeeper A Servant A Second Servant A Bore A Musketeer Another A Spanish Officer A Porter A Citizen His Son A Pickpocket A Spectator A Guardsman Bertrand The Piper A Monk Two Musicians The Poets The Pastry Cooks Roxane Sister Martha Lise The Orange Seller Mother Marguérite The Duenna Sister Claire An Actress The Pages The Shop Girl The Crowd, troopers, citizens (male and female) marquises, musketeers, pickpockets, pastry-cooks, poets, Gascon cadets, actors (male and female) violinists, pages, children, soldiers, Spaniards, spectators (male and female) précieuses (intellectuals) nuns, etc. Act One A Theatrical Production at the Burgundy Hotel The hall of the Hotel Burgundy, in 1640. A sort of tennis-court arranged and decorated for a theatrical production. The hall is oblong and we see it obliquely, so that one of its sides forms the back scene and runs from the right foreground, to meet the left background where it makes a right angle with the stage prepared for the production, which is partially visible. On both sides of the stage along the wings are benches. The curtain is composed of two tapestries that can be drawn apart. Above a harlequins cloak are the royal arms. Broad steps lead from the stage to the hall; on either side of these steps are places for the violinists. Footlights. There are two tiers of side galleries: the highest divided into boxes. There are no seats in the pit, which is the real stage of our theatre: at the back of the pit, on the right foreground, some benches form steps, and underneath a stairway which leads to the upper galleries an improvised buffet is ornamented with little tapers, flower vases, crystal glasses, plates of cakes, bottles, etc. The entrance to the theatre is centre-back, under the gallery of boxes. A large double door is half open to let in the audience. On the panels of this door, and in several corners, and over the buffet, red placards bear the name of the play being performed, ‘La Clorise. As the curtain rises the hall is in semi-darkness, and still empty. The chandeliers have been lowered into the middle of the pit ready for lighting. ‘Aerial View of Theatre Stefano Della Bella (Italian, 1610 - 1664) The National Gallery of Art Scene One The public, arrive gradually. Troopers, citizens, servants, pages, a pickpocket, the doorkeeper, etc., followed by the Marquises Cuigy, Brissaille, the orange-seller, the violinists, etc. ( A tumult of loud voices is heard outside the door and a trooper enters hastily. ) The Doorkeeper ( following him) Hey! It costs fifteen! The Trooper I go in free. The Doorkeeper And why? The Trooper Im the Kings Household Cavalry passing by! The Doorkeeper ( to another trooper, entering) And you? Second Trooper I dont pay. The Doorkeeper But... Second Trooper Im a musketeer. First Trooper ( to the second) The play doesnt start till two. The floors clear. Lets try a round with the foils, then. ( They fence with the foils they have brought. ) A Servant ( entering) Pst. Flanquin... Another ( already arrived) Champagne. The First ( showing him cards and dice which he takes from his doublet) Cards. Dice. ( He sits on the floor. ) Lets play. The Second ( doing the same) Fine. Im your man! First Servant ( taking from his pocket a candle-end, which he lights, and sets on the floor) Ive a little light here stolen from my master! A Guardsman ( to a flower-girl who appears) Its sweet to come before the lights are lit, not after! He seizes her round the waist. ) One of the Fencers ( receiving a thrust) A hit! One of the Card-Players A club! The Guardsman ( following the girl) A kiss! The Shop Girl ( freeing herself) Theyll see! The Guardsman ( drawing her to a dark corner) No fear! A Man ( sitting on the floor with others whove brought provisions) When you come early theres no problem eating here. A Citizen ( leading his son) Lets sit here, my boy. A Card Player Three aces! A Man ( taking a bottle from under his cloak, and also sitting down. A drinker may as well ( He drinks. ) sip his Burgundy in the Burgundy Hotel! The Citizen ( to his son) Wouldnt you think we were in some den of vice! He points with his cane to the drunkard. ) Drunkards! One of the fencers, stepping back, jostles him. ) Brawlers! He stumbles into the card-players. ) Gamblers! The Guardsman ( behind him, still teasing the shop-girl) The Citizen ( hurriedly pulling his son away) My Christ! To think thats it in this theatre that they play Rotrou, my son! The Young Man Yes, and Corneille! A Troop of Pages ( enter hand-in-hand, dancing the farandole, and singing) Tra la, la, la, la, la, la, lalere... The Doorkeeper ( sternly, to the pages) You pages, there, no nonsense. First Page ( his dignity wounded) Oh, sir. Such suspicion. ( Quickly, to the second page, the moment the doorkeepers back is turned) Have you a bit of string? The Second Here, with a fish-hook on. First Page We can fish for wigs, from up in the gallery. A Pickpocket ( gathering some evil-looking youths round him) Now then, young rascals, take a lesson from me before you start on your first real thieveries. Second Page ( calling up to others in the top galleries) Hey! Have you brought peashooters? Third Page ( from above) And some peas. ( He blows, and showers them with peas. ) The Young Man ( to his father) What play are they doing? The Citizen ‘ Clorise. The Young Man Who wrote that? The Citizen Its by Balthazar Baro. Its a play and a half. ( He goes upstage arm-in-arm with his son. ) The PickPocket ( to his pupils) Lace on their knee-ruffles - cut them off shear! A Spectator ( to another, showing him a corner of the gallery) Look, the first night of ‘ Le Cid, I was sitting there. The PickPocket ( making stealthy movements with his fingers) Watches - The Citizen ( coming downstage again with his son) Youll see some famous actors tonight... The PickPocket ( as if pulling at something furtively, with little tugs. Handkerchiefs - The Citizen Montfleury... Someone ( shouting from the upper gallery) Come on: lets have some light! The Citizen. Bellerose, lÉpy, la Beaupré, Jodelet! A Page ( in the pit) Here comes the girl, selling oranges! The Orange Seller ( taking her place behind the buffet) Lemonade milk, oranges, raspberry-water. ( An outcry at the door) A Falsetto Voice Make way, you brute! A Servant ( astonished) Marquises. in the pit. Another Servant Oh! For a moment or two! A group of young marquises enter. ) A Marquis ( seeing that the halls half empty) What now! Are we arriving like a pack of tradesmen, Not crowding people? Not even stamping on them! Oh, fie! Fie! Fie! Recognizing some other gentlemen who have entered a little before him) Cuigy! Brissaille! Hearty embraces. ) Cuigy The faithful! Why yes, were here even before the candles. The Marquis Ah! Dont speak of it! Im in an awful temper. Another Console yourself, Marquis! Heres the lamplighter. All the Audience ( welcoming the arrival of the lamplighter) Ah. ( They form in groups round the chandeliers as they are lit. Some people have taken their seats in the galleries. Lignière enters: a distinguished-looking roué, with disordered shirtfront, arm-in-arm with Christian de Neuvillette. Christian, who is dressed elegantly, but rather behind the fashion, appears preoccupied, and keeps looking up at the boxes. ) Scene Two The same. Christian, Lignière, then Ragueneau and Le Bret. Cuigy Lignière! Brissaille ( laughing) Not drunk as yet? Lignière ( aside to Christian) May I introduce you? Christian nods his assent. ) Baron de Neuvillette. ( They bow. ) The Audience ( applauding as the first lighted chandelier is raised. ) Ah! Cuigy ( to Brissaille, looking at Christian) A fine fellow! First Marquis ( who has overheard) Pah! Lignière ( introducing them to Christian) My lords De Cuigy, De Brissaille... Christian ( bowing) Delighted. First Marquis ( to second) He looks well enough, but it seems hes not quite yet au fait with the latest fashion. Lignière ( to Cuigy) Youre from Touraine. Christian Yes, Ive scarcely been here in Paris twenty days. I join the Guards, tomorrow: the Cadets. First Marquis ( watching the people entering the boxes) Aha, heres Justice Aubrys wife. The Orange Seller Oranges, milk... The Violinists ( tuning up) La... la... Cuigy ( to Christian, drawing his attention to the hall, which is filling fast) The people! Christian Ah, yes: a crowd. First Marquis All the worlds here! They name the different elegantly dressed ladies who enter the boxes, and bow to them, receiving smiles in reply. ) Second Marquis Madame de Guéméné. Cuigy Madame de Bois-Dauphin. First Marquis Of whom we despair! Brissaille Madame de Chavigny... Second Marquis Who leaves our hearts a ruin. Lignière Why, Monsieur de Corneilles returned from Rouen! Are the Academy here? The Citizen Yes I see quite a number: theres Boudu, Boissat, and Cureau de la Chambre, Porchères, Colomby, Bourzeys, Bourdon, Arbaud. Ah, how fine. all the deathless names we know! First Marquis Look! Our précieuses are taking their seats: Urimédonte, Cassandace, Barthénoïde, Félixérie... Second Marquis Ah! My God, their names, so sweet! Marquis, you know every one? First Marquis I know every one, Marquis! Lignière ( drawing Christian aside) Dear friend, I came here to do you some service: but the ladys not coming. Ill slip back to my vice. Christian ( persuasively) No, no! You, who sing of Court and City, stay: who is that lady I die of love for? You can say. The First Violin ( tapping on his desk with his bow) Violinists! Gentlemen! He raises his bow. ) The Orange Seller Almond-biscuits, lemonade... ( The violins begin to play. ) Christian I fear shes too fashionable, too fastidious in her ways! Ive no wit, I dont dare: I wont know how to reply. This language that they speak, today, that they write, confuses me; Im just a soldier, honest, shy. - Shes always there: the empty box on the right! Lignière ( making as if to go) Im going. Christian ( detaining him) Oh no! Stay. Lignière I cant. DAssoucy waits for me at the inn, and my thirsts killing me. The Orange Seller ( passing before him with a tray) Orange juice? Lignière Ugh! The Orange Seller Milk? Lignière Pah! The Orange Seller Muscadet! Lignière Wait! To Christian) Ill stay a little while. Lets try this Muscadet. ( He sits near the buffet; the girl pours some Muscadet for him. ) SHOUTS from the whole audience, at the entry of a plump little man, excited and joyful. ) Ah! Ragueneau. Lignière ( to Christian) Its the pastry-cook Ragueneau. Ragueneau ( dressed like a pastry-cook in his Sunday best, approaching Lignière, hastily. ) Sir, have you chanced to see Monsieur de Cyrano? Lignière ( introducing him to Christian. ) The pastry-cook of actors and of poets! Ragueneau ( overcome) You do me too much honour... Lignière Peace, a Maecenas yet! Ragueneau Yes, those gentlemen help themselves... Lignière On credit! A poet of talent himself... Ragueneau So they have it. Lignière - Mad for verse! Ragueneau Its true, for the tiniest couplet... Lignière You give them a tart... Ragueneau Oh. Just a little tartlet! Lignière Ah! Such modesty! And for a sonnet instead, didnt you give in return... Ragueneau Rolls! Lignière ( severely) Milk-bread. - The theatre! You love that? Ragueneau I idolise the stage! Lignière You pay for your theatre tickets - with your cakes! Your place, to-night, come tell me, entre nous, what did it cost? Ragueneau Four flans, and fifteen choux. ( He looks to both sides. ) Monsieur de Cyranos not here? Im surprised. Lignière Why so? Ragueneau Montfleury acts! Lignière Yes, youre right, that barrel of wine takes Phédons part to-night: whats that to Cyrano? Ragueneau Youre not current, quite? Hes put Montfleury on guard: hes filled with rage, the actor cant show his face for a month on stage. Lignière ( drinking his fourth glass. ) Well? Cuigy He cant stop him. Ragueneau Oh no? Thats what Ive come to see! First Marquis Whos this Cyrano? Cuigy A fellow well-versed in fencing etiquette. Second Marquis Noble? Cuigy Noble enough. Hes a Guards cadet. ( Pointing to a gentleman who is going up and down the hall as if searching for some one. ) But his friend Le Bret, can tell you. ( He calls him. ) Le Bret! Le Bret comes towards them. ) Youre seeking Bergerac? Le Bret Im troubled. Yes. Cuigy Isnt it true he sings to a different tune? Le Bret ( tenderly) Ah! Hes the choicest being under the moon! Ragueneau Poet! Cuigy Soldier! Brissaille Philosopher! Le Bret Musician! Lignière And such a varied physiognomy hes been given! Ragueneau True, I dont think even Philippe de Champaignes grave hand could paint that likeness for us again: bizarre, extravagant, wild, a one-man show, hed have eclipsed that madman Jacques Callot, the maddest fighter of all performing faces - his three-plumed hat, his doublet with six laces, his sword sticking up behind, under his cloak proudly, like the cheeky tail of a cock, fiercer than all the fierce DArtagnans ever Gascony produced, or shall, that kindly mother! He wears, above his Punchinello ruff, a nose. My lords, indeed hes nose enough. You cant see a nose like that go by, in state without crying out: ‘Ah no, they exaggerate! Then you smile: ‘Hell soon take it off. But never, Monsieur de Bergerac doesnt remove it, ever. Le Bret ( throwing back his head. ) He dangles it - God help whoever takes the bait! Ragueneau ( proudly. His swords one half of the blind shears of Fate! First Marquis ( shrugging his shoulders. He wont come! Ragueneau Yes, he will. Ill bet you a dish - à la Ragueneau. The Marquis ( laughing. ) Done! Murmurs of admiration in the hall. Roxane has just appeared in her box. She seats herself in front, the duenna at the back. Christian, who is paying the orange-seller, doesnt see her entrance. ) Second Marquis ( with little cries of joy. Ah, gentlemen! She is frightfully ravishing! First Marquis One thinks of a peach with smiling strawberry blushes! Second Marquis And so fresh! If you reached for her youd easily catch a fever in your heart! Christian ( raises his head, sees Roxane, and catches Lignière by the arm. Thats her! Lignière ( looking at her. ) Ah! Thats her. Christian Yes. Say who. I fear her art. Lignière ( tasting his wine, in little sips. Magdaleine Robin, called Roxane. A subtle woman. An intellect. Christian Alas! Lignière Free. Orphan. Cousin to Cyrano - of whom we spoke. ( At this moment an elegant nobleman, blue ribbon on his chest, enters the box, and stands there talking to Roxane. ) Christian ( starting. ) That man? Lignière ( who is becoming tipsy, winking at him. Oh ho! Comte de Guiche. Taken with her. Hes married, though, to the niece of Armand de Richelieu. Desires to marry Roxane to a certain sad man, aspires to use Monsieur de Valvert, reeable. She wont agree, but then De Guiche is powerful: He can persecute the plain bourgeoisie. But Ive exposed his sly machinery, in a song, that. Ha! I need to sing it, right! The endings, here! He staggers up, and lifts his glass, ready to sing. ) Christian No. Good-night. Lignière Youre going? Christian To Monsieur de Valvert! Lignière Have a care! Its he wholl kill you. ( Showing him Roxane, by a sideways glance) Stay. Shes watching you, there. Christian Its true! He stands looking at her. The group of pickpockets seeing him, head in air and open-mouthed, draw close to him. ) Lignière Its me thats going. Im thirsty! My name is awaited - in the inns! He goes out, reeling. ) Le Bret ( who has been all round the hall, coming back to Ragueneau reassured. ) No Cyrano. Ragueneau ( incredulously) All the same... Le Bret Ah! I do hope he hasnt seen the notice! The Audience Begin, begin! Scene Three The same, all but Lignière. De Guiche, Valvert, then Montfleury A Marquis ( watching De Guiche, who comes down from Roxanes box, and crosses the pit surrounded by obsequious noblemen, among them the Viscomte de Valvert. ) What spirit, this De Guiche! Another Bah. Another Gascon! The First A Gascon, subtle, cold, now - thats the kind of man succeeds. me, lets bow. ( They go toward De Guiche. ) Second Marquis Beautiful ribbons! What colours that, Comte de Guiche? ‘Does-belly or is it ‘Sweetheart-give-me-a-kiss? De Guiche Its the colour called ‘Queasy Spaniard. First Marquis That colour doesnt lie, since soon now, thanks to your valour, Spain will suffer badly in Flanders. De Guiche Ill climb up! Will you come? He goes toward the stage, followed by the marquises and gentlemen. He turns and calls. ) Come on, Valvert! Christian ( who is watching and listening, starts on hearing the name. Ah, the Viscomte! Ill throw it in his face, where is it, my... ( He puts his hand in his pocket, and discovers the hand of a pickpocket who is about to rob him. He turns round. ) Damn! The PickPocket Oh! Christian ( holding him tightly. ) I was looking for a glove. The PickPocket ( smiling piteously. ) You found a hand. ( Changing his tone, quickly and in a whisper. ) Let go. Ill tell you a secret. Christian ( still holding him. ) What? The PickPocket Lignière... whos just left you... Christian ( as before) The PickPocket Its his last hour, beware. A song hes made has injured a man of might - a hundred men - Im one - are gathered, for tonight... Christian By whom? The PickPocket Discretion... Christian ( shrugging his shoulders) Ha! The PickPocket ( with great dignity) Professionals! Christian Where are they posted, then? The PickPocket At the Porte de Nesle. On his way home. Warn him! Christian ( letting go of his wrists. ) But where will he be? The PickPocket Run round to all the inns: The Golden Rookery, The Fir Cone, The Tightened Belt, The Double Flame, The Three Funnels, at each one leave his name, and a little line of writing to tell him their plan. Christian Yes – Ill run! The scum! A hundred against one man! Looking lovingly at Roxane. ) Ah, to leave! looking with rage at Valvert. ) And him. I must save him, Lignière! He hurries out. De Guiche, the Viscomte, the Marquises, have all disappeared behind the curtain to take their places on the benches placed on stage. The pit is quite full; the galleries and boxes are also crowded. ) The Audience Begin! A Citizen ( whose wig is drawn up on the end of a string by a page in the upper gallery) My wig! Cries of Delight Bravo, you pages! Hes bald. Ha! Ha! Ha. The Citizen ( furious, shaking his fist) Oh you, young villain! Laughter And Cries ( beginning very loud, and dying away) Ha! Ha! Ha! Ha! Ha! Ha! Total silence. ) Le Bret ( astonished) This silence is sudden... ( A spectator says something to him in a low voice. ) Ah. The Spectator I heard it just now on good authority. Murmurs ( spreading through the hall) No! Yes, I say! In the box with the grill! Hush! Is it he? The Cardinal. The Cardinal. The Cardinal! A Page Ah! The devil! Well have to behave ourselves... ( Someone raps on the stage. Every one is motionless. A pause. ) The Voice Of A Marquis ( in the silence, behind the curtain) Snuff out that candle! Another Marquis ( putting his head through the opening in the curtain) A chair! A chair is passed from hand to hand, over the heads of the spectators. The marquis takes it and disappears, after blowing some kisses to the boxes. ) A Spectator Silence! Someone gives three raps again. The curtain opens. Tableau. The marquises in insolent attitudes seated on each side of the stage. The scene represents a pastoral landscape. Four little chandeliers light the stage; the violins play softly. ) Le Bret ( in a low voice to Ragueneau) Montfleury enters now? Ragueneau ( also in a low voice) Yes, hes the first one on. Le Bret Cyrano isnt here. Ragueneau Ive lost my bet, youll see. Le Bret Better that way! An air on the pipes is heard, and Montfleury enters, enormously fat, in an Arcadian shepherds dress, a hat wreathed with roses drooping over one ear, blowing into a beribboned flute. ) The Pit ( applauding) Bravo, Montfleury! Montfleury! Montfleury ( after bowing low, begins the part of Phédon) ‘Happy he who, far from courts, in haunts alone, creates, for himself, an exile of his own, and who, while Zephyr whispers in the trees... A Voice ( from the middle of the pit) Fool! Didnt I say a month without these mummeries? General stupor. Every one turns round. Murmurs. ) Different Voices What. Whos that. ( The people stand up in the boxes to get a view. ) Cuigy Its him! Le Bret ( terrified) Cyrano! The Voices King of clowns! Leave the stage! All the Audience ( indignantly) Oh! Montfleury But... The Voices You defy me! Down! Different Voices ( from the pit and the boxes) Peace! Enough. Play on, Montfleury - dont be afraid! Montfleury ( in a trembling voice) ‘Happy he who, far from courts, in haunts. The Voice ( more fiercely) Down, I said! O Monarch of jesters, must I attack and plant this clump of fir-trees on your back? A hand holding a cane starts up over the heads of the spectators. ) Montfleury ( in a voice that trembles more and more) ‘Happy he who. ( The cane is shaken. ) The Voices Off! The Pit Oh! Montfleury ( choking) ‘Happy he who, far from courts. Cyrano ( appearing suddenly in the pit, standing on a chair, his arms crossed, his hat cocked fiercely, his moustache bristling, his nose terrible to see) Ah! Im going to get angry. ( Sensation. ) Scene Four The same. Cyrano, then Bellerose, Jodelet. Montfleury ( to the marquises) Help me, my lords! A Marquis ( carelessly) Go on! Go on, then! Cyrano Fat man! Beware, if you do, Ill be obliged to fan your cheeks for you! The Marquis Enough! Cyrano These lords better sit quietly on their seats, or truly my cane and their fine ribbonsll meet! All The Marquises ( rising) Too much. Montfleury... Cyrano Montfleury had best take wing, or Ill slit his gizzard and disembowel him! A Voice Yet... Cyrano Out he goes! Another Voice But... Cyrano What, hes here still? H e makes the gesture of turning up his cuffs. ) Fine! Ill mount the stage now, like a table, to dissect this fat sausage from Italy! Montfleury ( trying to be dignified) You insult the Muse by insulting me! Cyrano ( very politely) If the Muse, to whom youre nothing, Sir, if she, had the honour to know you - Sir, then, believe me, seeing you, so gross a Grecian urn, appear, her tragic foot would take you in the rear! The Pit Lets have Baros play! Montfleury! Montfleury! Cyrano ( to those who are calling out) For my scabbard, I beg you, show some pity if you go on, itll have to shed its blade! The circle round him widens. ) The Crowd ( drawing back) Cyrano ( to Montfleury) The Crowd ( coming near and grumbling) No! No! Cyrano What do you say? They draw back again. ) A Voice ( singing at the back) Monsieur de Cyrano, these are pure tyrannies: despite the tyrant though we will have ‘ La Clorise! All the Pit ( singing) ‘ La Clorise! ‘ La Clorise. Cyrano If I hear that song again from anyone, Ill pole-axe the lot of you. A Citizen What, youre no Samson! Cyrano Your jawbone, Sir, if youd kindly lend me that thing? A Lady ( in the boxes) An outrage! A Lord Its scandalous! A Citizen Its so annoying! A Page What fun! The Pit Hiss. Montfleury. Cyrano! Cyrano Silence! The Pit ( wildly excited) Hee-haw! Baaa! Quack, quack! Cock-a-doodle-doo! Cyrano I command - A Page Meow! Cyrano I order you to cease! And I challenge the whole pit: you lot, if you please! Ill write the names. Young heroes, round about! Each of you in turn! Ill call the numbers out! So, which of you now will come and start the list? You, Sir? No! You? No! The first duellist will be despatched by me with all due honour! Let all who wish for death just lift a finger! A silence. ) Youll see my naked blade? Modesty prevents you? Not one name. Not one hand. Well, Ill continue! Turning toward the stage, where Montfleury waits anxiously) Now, I wish to see the theatre intact, free of this boil. If not... ( Puts his hand on his sword. ) The blade must act! Montfleury I... Cyrano ( leaves his chair, sits down in the middle of the circle which has formed, and makes himself at home. ) Ill clap my hands three times at you, full moon! At the third clap, eclipse yourself! The Pit ( amused) Cyrano ( clapping his hands) One! A Voice ( in the boxes) Stay! The Pit He goes. he stays... Montfleury Gentlemen. I believe Cyrano Two! Montfleury I think it might be better if... Cyrano Three! Montfleury disappears as through a trapdoor. Tempests of laughter, whistles, shouts, etc. ) The Whole House Ah. Coward. come back! Cyrano ( delighted, sits back in his chair, arms crossed) Come back if you dare! A Citizen Call for the Manager! Bellerose comes forward and bows. ) The Boxes Ah! Bellerose is there! Bellerose ( elegantly) Noble lords... The Pit No! No! Jodelet! Jodelet ( advancing, speaking through his nose) Pile of veal! The Pit Ah! Bravo! Great! Bravo! Jodelet No bravos, I feel! The fat tragedian whose stomach you all love so felt... The Pit Hes a coward! Jodelet. that he was obliged to go. The Pit Come back! Some No! Others Yes! A Young Man ( to Cyrano) Sir, whats your reason for hating, Montfleury so? Cyrano ( graciously, still seated) Young gosling, Ive two reasons - either one alone will do Primo: hes a quite deplorable actor who mouths, and like a hod-carrier, with an Ohhh! heaves up lines that he should let fly. Secundo Thats my secret... The Old Citizen ( behind him) But you deprive us without scruple Of ‘ La Clorise! I object to it... Cyrano ( turning his chair toward the citizen, respectfully) Old mule! Old Baros versifyings worth less than zero I broke in without a thought... The Precieuses ( in the boxes) What! Our Baro! My dear. Who ever? Goodness me. Cyrano ( turning his chair toward the boxes gallantly) Fairest ones, shine on us, bloom like flowers, be custodians of dreams, with a smile enchant our failing eyes, inspire our dont criticise! Bellerose And the monies we must return! Cyrano ( turning his chair toward the stage) Bellerose, Ill not make any hole in the Muses cloak. Youve made the only speech that shows intelligence! He rises and throws a bag on the stage. ) Catch this purse as it flies: its yours: now, silence! The House ( dazzled) Ah. Jodelet ( catching the purse dexterously and hefting it) For this I grant permission, as you please, to come every night, and disrupt ‘ La Clorise, The Pit Boo. Boo. Jodelet Lets be booed both together, then. Bellerose The hall must be cleared now. Jodelet All clear off, again! The people begin to go out, while Cyrano watches with an air of satisfaction. But the crowd soon halt on hearing the following scene, and their exit ceases. The women, who are already standing up in the boxes, with their cloaks on, stop to listen, and finally sit down again. ) Le Bret ( to Cyrano) Youre mad. A Bore ( coming up to Cyrano) The actor Montfleury! What a scandal! Why, hes the protégé of the Duc de Candale! Have you a patron? Cyrano No! The Bore You havent. Cyrano None! The Bore What! No great lord to protect you with his name? Cyrano ( irritated) No, Ive told you twice! Must I repeat it? Yes? No! No protector... ( His hand on his sword) But here. a protectress! The Bore So, are you going to quit the city? Cyrano Maybe. The Bore The Duc de Candale has a long arm! Cyrano But not indeed As long as mine. Shows his sword. ) when its extended. There! The Bore But you dont dare to pretend. Cyrano Ah yes, I dare! The Bore But... Cyrano Show your heels! Instantly! The Bore But I... Cyrano Go! Or say why you go on at staring at my nose! The Bore ( staggered) I... Cyrano ( walking straight up to him) Whats so strange about it? The Bore ( drawing back) Your Grace has me wrong! Cyrano Is it soft and dangling, like an elephants trunk. The Bore ( as before) I never... Cyrano Is it hooked then, like the beak of an owl? The Bore I... Cyrano Do you see something on the tip, a pimple? Cyrano Or a fly, with little steps, walks up and down? Has it variety? The Bore Oh... Cyrano Is it a phenomenon? The Bore But I was careful not to cast my eye there! Cyrano And why not, if you please, why not stare? The Bore I was... Cyrano It disgusts you? The Bore Sir! Cyrano Is it its hue seems unhealthy? Cyrano Or its shapes obscene to you? The Bore No, on the contrary. Cyrano Why then that air, so disparaging? Perhaps Monsieur thinks it too grand a thing? The Bore ( stammering) I find it little, quite little, miniscule! Cyrano Eh? What? You insult with equal ridicule! Little, my nose? Ha! The Bore Heavens! Cyrano Its vast, my nose! Vile snubby, duck-headed, flat-face, let me disclose Im proud of such an appendage as this. Its well known a big nose is indicative of a genial soul, kind, courteous, intelligent, free, courageous, such as I am, and such I meant as youre forbidden from dreaming yourself to be, Base rascal! That inglorious face I see my hand is after, at the top of your neck, is as empty... ( He cuffs him. ) The Bore Ow! Cyrano Of any pride, address, or lyricism, sparkle, or picturesque-ness, or sumptuosity, or NOSE in fact, as this ( He turns him by the shoulders, suiting the action to the word. ) my boot finds at the bottom of your spine! The Bore ( running away) Help! Call the Guard! Cyrano Take care, audience of mine, if you find the middle of my visage humorous, for if the humorists noble its known for us to show him, before we let him flee, and feel, below and above, not leather, but naked steel! De Guiche ( who, with the marquises, has come down from the stage) But in the end he bores us! The Viscomte de Valvert ( shrugging his shoulders) Blows his own trumpet! De Guiche Will no one answer him. The Viscomte No one? But wait! Ill go and trade him one of these same blows. ( He goes up to Cyrano, who is watching him, and stands in front of him, with a conceited air) have. hmm. a very large nose! Cyrano ( gravely) Very! The Viscomte ( laughing) Cyrano ( imperturbably) Thats all. The Viscomte But... Cyrano Ah no! Thats too brief, young man! You might have. a hundred things, to plan by varying the tone. for example just suppose... Aggressive: ‘I, Sir, if I had such a nose, Id have it amputated on the spot! Friendly: ‘But it must drown itself a lot, you need a drinking-bowl of a special shape! Descriptive: ‘Its a rock. A peak. A cape! Whats that, its a cape. Its a peninsular! Curiou s: ‘That oblong bag whats it serve you for? A sheath for scissors? Or a writing case? Gracious: ‘Do you love the winged race so much, that you benignly set yourself to provide their little claws with a shelf! Insolent: ‘Sir, when that pipe of yours glows does the tobacco smoke rise from your nose and make the neighbours cry, your chimneys on fire? Considerate: ‘Have a care. lest your head grow tired of such a weight. and its the ground you sit on! Tender: ‘Have a small umbrella fashioned, for fear lest in sunshine it lose all its colour! Pedantic: ‘That rare beast, Aristophanes, Sir, named Hippocamp-elephanto-camelos, must have on its head such flesh, such a solid boss! Familiar: ‘The latest fashion, my friend, that crook for hanging your hat on? True, its a useful hook! Eloquent: ‘No winds at all, majestic nose can give you colds! Except when the mistral blows! Dramatic: ‘When it bleeds its the Red Sea! Admiring: ‘What a sign for a perfumery! Lyric: ‘Is this a conch. are you a Triton? Simple: ‘This monument, when does it open? Respectful: ‘Sir, allow me to congratulate you thats what we call owning a gabled view! Rustic: ‘Nah! That thing a nose? No way, not it! Thats a dwarf pumpkin, or a giant turnip! Military: ‘Point that thing towards the cavalry! Practical: ‘Do you want it entered in the lottery! Certainly, sir, it would be the biggest prize! Or lastly. parodying Pyramuss sighs: ‘Behold the nose that mars its owners nature destroying harmony! It blushes now, the traitor! Thats an idea, sir, of what you might have said, if youd an ounce of wit or letters in your head: but of wit, O most lamentable creature youve never had an atom, and you feature three letters only, and those three spell: Ass! And were your wit of sufficient class, to aim a single foolish pleasantry, at me, in front of all this noble gallery, youd not have been allowed to speak a quarter of the least beginning of a single one of them, for though I aim them at myself, so wittily, I dont let any man aim them at me! De Guiche ( trying to draw the dismayed Viscomte away. ) Come away, Viscomte Valvert! The Viscomte ( choking with rage) Such an arrogant air! A country squire who. who. has no gloves to wear! Who goes without knots on his sleeve, or lace, or ribbon! Cyrano As for me: my elegance is all within. I dont dress myself like one of your popinjays, but Im smarter, if less fussy in my ways: I wouldnt go about, through negligence, with an insult un-avenged, or a conscience yellow with fear still, sleep in its eye-corner, or scruples dressed in black, the rags of honour. But theres nothing I walk with that doesnt shine, plumed with that honest freedom that is mine. Its not some flattering fashion, but my soul that stiffens my back, like your corseted beau: with my exploits, instead of ribbons, attached twirling my wit as one twirls a moustache, I pass through the crowds, and the chatterers, making Truth ring out to the clash of spurs! The Viscomte But... Cyrano You say I wear no gloves? So there! Ive only one of them left... of an old worn pair, which I left behind, quite an irritating waste, as it seems to me I left it in someones face. The Viscomte Scoundrel, rascal, stupid flat-footed fool! Cyrano ( taking off his hat, and bowing as if Valvert had introduced himself) Ah. and I, Cyrano Savinien-Hercule de Bergerac ( Laughter. ) The Viscomte ( angrily) Buffoon! Cyrano ( calling out as if he had been seized with the cramp) Ohh! Ohhh! The Viscomte ( who was going away, turns back) What on earths he saying now? Cyrano ( with grimaces of pain) It must be eased - its getting stiff, and how. - This comes of leaving it unused. Good Lord! Ohh. The Viscomte Whats wrong with you? Cyrano Ive in my sword! The Viscomte ( drawing his sword) Fine! Cyrano Ill give you a charming little thrust! The Viscomte ( contemptuously) Poet. Cyrano Yes poet, Sir! To prove thats just, While we fence – On guard! – Ill improvise Ill compose a ballad. The Viscomte A ballad? Cyrano You show surprise, youre not unsure what a ballad is, I hope? Cyrano ( reciting, as if repeating a lesson) Know then that the ballade should be composed of three eight-line stanzas... The Viscomte ( stamping) Cyrano ( still reciting) An envoi of four. The Viscomte You... Cyrano Ill make one all complete, while were at war, and hit you, Sir, at the final line. The Viscomte No! Cyrano Really? declaiming) ‘Ballad of a duel in the Hotel Burgundy, in which Monsieur de Bergerac fought a weasel! The Viscomte Whats that you say if you please? Cyrano Thats the title. The House ( in great excitement) Make room! – What great fun. Spread out now. Silence! Tableau. A circle of curious spectators in the pit; the marquises and the officers mixed in with the common people: pages climbing on each others shoulders to see better. All the women standing up in the boxes. To the right, De Guiche and his gentlemen. Left, Le Bret, Ragueneau, Cuigy, etc. ) Cyrano ( closing his eyes for a moment) Wait. Im choosing my rhymes. There, I have them! He suits the actions to the rhythm of the words. ) I throw my hat away, lightly, I, slow as you like, discard the heavy cloak that warms me, and I draw my shining sword: elegant as Celadon, agile as Scaramouch, I warn you now, dear Myrmidon, at the envoi s end, I touch! They engage for the first time. ) Youd be better to have stayed neutral: Where will I skewer you, my turkey. In the flank, beneath your medal. In the heart, beneath your finery. The little bells ring, ding dong! My point swirls: flies do as much! In the belly, I cant be wrong, at the envoi s end, I touch. You break off - while I find a word - youre whiter by far than snow, and furnish me with the rhyme coward! Tac! I parry the point, so that you had hopes of giving me; I straighten my stance, not overmuch... Hold your spit, Sir Scullion, please! At the envoi s end, I touch. ( He declaims solemnly. ) Envoi. Prince, ask God for mercy now! I turn a quarter - a flourish, and such! I cut, I feint! Thrusting) then, I vow, The viscomte staggers. Cyrano salutes. ) Acclamations. Applause in the boxes. Flowers and handkerchiefs shower down. The officers surround Cyrano, congratulating him. Ragueneau dances for joy. Le Bret is happy, but anxious. The Viscomtes friends hold him up and carry him off. ) The Crowd ( with one long shout) Ah. A Trooper Superb! A Woman Pretty! Ragueneau Marvellous! A Marquis Novel, though! Le Bret Madman! The Crowd ( presses round Cyrano. Chorus of) Compliments to you. done. A Womans Voice Thats a hero... A Musketeer ( advancing to Cyrano with outstretched hand) Sir, if you will permit me. That was really fine - Im an expert I believe: Indeed I stamped to express my admiration! He goes away. ) Cyrano ( to Cuigy) Whats that gentlemans name, then? Cuigy Thats DArtagnan. Le Bret ( to Cyrano, taking his arm) Come, lets speak. Cyrano Wait a moment: let the crowd leave. ( To Bellerose) May I stay? Bellerose ( respectfully) Of course. ( Cries are heard outside. ) Jodelet ( who has looked outside) Theyre hooting Montfleury! Bellerose ( solemnly) Sic transit. ( Changes his tone and shouts to the porter and the lamplighters. ) Sweep. Close up. Dont douse the lights. Well be back again after our meal, tonight, for a rehearsal of tomorrows newest farce. ( Jodelet and Bellerose go out, bowing low to Cyrano. ) The Porter (to Cyrano) Youre not dining, then? Cyrano I... ( The porter goes out. ) Le Bret Because? Cyrano ( proudly) Be. cause ( Changing his tone as the porter goes away) I have no money. Le Bret ( with the action of throwing a bag) But! The bag of coins. Cyrano Paternal allowance. a day, and see theyre going! Le Bret To live for a whole month on. Cyrano Ive nothing further. Le Bret To throw that bag away, madness! Cyrano But what a gesture. The Orange Seller ( coughing, behind her counter) Ahem! Cyrano and Le Bret turn. She comes timidly forward. ) ll be heart is aching, while... ( showing the buffet) Ive everything you need, here. ( eagerly) Take some. Cyrano ( taking off his hat) Dear child, though my Gascon pride forbids, you understand, my taking the least sweetmeat from your hand, Im more afraid lest a refusal grieve you so Ill accept... ( He goes to the buffet. ) Oh! Something. A grape or two from this bunch... ( She offers him the whole bunch. He takes one. ) Just one. glass of water... ( She tries to give him wine, but he stops her. ) Pure! And half a macaroon! He gives back the other half. ) Le Bret Thats madness for sure! The Orange Seller Oh! Take something more! Cyrano Yes. Your hand to kiss. ( He kisses her hand as though she were a princess. ) The Orange Seller Thank you, Sir! She courtesies. ) Good-night. ( She exits. ) Scene Five Cyrano, Le Bret, then the Porter. Cyrano ( to Le Bret) Now talk - Im all ears. ( He stands at the buffet, and placing before him first the macaroon. ) Dinner. ( then the glass of water) Wine. ( then the grape) Dessert. ( he seats himself. ) So! I sit down to eat! Ah. I was hungry, dear friend, starved as can be! eating) Well? Le Bret How these conceited fops, with their warlike airs, will pervert your spirit if you only listen to theirs. Go and ask a man of sense if you want to see how your quarrel impressed him. Cyrano ( finishing his macaroon) Enormously! Le Bret The Cardinal... Cyrano ( radiant) He was there, the Cardinal? Le Bret Must have thought the whole thing... Cyrano Very original. Le Bret But... Cyrano Hes an author too. It wont displease him that Ive interfered with another of his brethren. Le Bret You make too many enemies, up for a fight! Cyrano ( eating his grapes) How many, roughly, do you think Ive made to-night? Le Bret Forty-eight. Not counting the women. Cyrano Count, lets hear! Le Bret Montfleury, that old man, De Guiche, Valvert, Baro, the Academy... Cyrano Enough! You ravish me! Le Bret But what will these things lead to, dont you see? Wheres the method in it? Cyrano I was wandering in a maze Id too many complicated paths to take: I took... Le Bret Which? Cyrano Oh! Of them all, the simplest one. I decided to be brilliant at everything, with everyone! Le Bret ( shrugging his shoulders) Fine! But the reason for your detestation of Montfleury – give me the true explanation! Cyrano ( rising) Silenus, so gross his hands wont reach his navel still thinks his charms place the girls in peril, and, while he stammers through his little piece, makes sheeps eyes with his frogs eyes, if you please! I hate him since he allowed himself one night to raise his eyes to her. Oh! I thought it like a fat slug sliding towards a flower above! Le Bret ( stupefied) What? Is it possible... Cyrano ( laughing bitterly) That I could be in love. ( Changing his tone, gravely) Im in love. Le Bret And may one know. Youve never told me... Cyrano Whom I love. lets see. The dream I might be loved even by an ugly womans quite denied me: its, this nose of mine that precedes me by fifteen minutes. So, then, whom do I love. goes without saying I love – its inevitable! – the most beautiful of beings! Le Bret The loveliest. Cyrano Simply, of all those in the world! The most brilliant - the finest - the blondest curls! Le Bret Ah! My God, who is this lady, then? Cyrano A danger mortal without knowing it, a snare of Natures, exquisite without dreaming it, a damask rose within which Love sets his traps for those whove seen her smile, and known perfection. She conjures grace from nothing, the creation of everything divines in her smallest gesture, and Diana, passing among woodland flowers, or Venus, aboard your shell, you know not this, how she aboard her chair passes through Paris. Le Bret Sapristi! I know. Its clear! Cyrano Its transparent, man! Le Bret Madeleine Robin, your cousin? Cyrano Yes, Roxane! Le Bret Well! So much the better! You love her? Tell her so! Youll be glorious to her, after this evenings show! Cyrano Look at me, my dear friend, then tell me what hope this protuberance leaves me! Oh! Ive no illusions. And yet, thats right, yes, sometimes, I grow tender, in the blue of night: I enter some garden that the hour makes sweet, with my poor ugly devil of a nose, I greet the Spring – Im watching, in a ray of silver some lady on a soldiers arm, dreaming ever of walking with little footsteps under the moon, I too delighting in having my lady on my arm, Im sublime, lose suddenly, and all thats only my shadow on the garden wall! My friend. Cyrano My friend, the bitter hours I keep! Thinking myself so ugly, sometimes, so alone... Le Bret ( taking his hand) You weep? Cyrano Ah! Not that, never! No, it would be too gross if a tear trickled down this length of nose! I wont allow, while Im still their master, the divine beauty of tears to mingle there with such monstrous ugliness! nsidering that tears, nothings more sublime, no not a thing, and I wouldnt wish, by inciting mockery, a single one to be ridiculed, through me! Le Bret Go on: dont sadden yourself! Loves a chance affair! Cyrano ( shaking his head) No! I love Cleopatra: have I Caesars air? I adore Juliet? Have I Romeos complexion. Le Bret But your bravery! Your wit. That little one, who gave you that modest feast just now, her eye, you understood it, clearly, showed no dislike! Cyrano ( impressed) Thats true! Le Bret Well, then. I saw Roxane grow pale as she followed your duel, herself. Cyrano Quite pale? Le Bret Her heart, her imagination, already glows! Then dare to speak to her! Cyrano So shell mock my nose? No! – Thats the one thing in the world I fear! The Porter ( introducing someone to Cyrano) Sir, someones asking for you... Cyrano ( seeing the duenna) My God! Her duenna! Scene Six Cyrano, Le Bret, the duenna. The Duenna ( with a low bow) From her valiant cousin, one would desire to know where to meet him - secretly. Cyrano ( overwhelmed) Meet me! The Duenna ( courtesying) Meet you! One has something to tell you. Cyrano Some. The Duenna ( still courtesying) Something! Cyrano ( staggering) Ah, my God! The Duenna One goes, tomorrow, when the birds begin to sing, at dawn, to mass at Saint-Roch. Cyrano ( leaning against Le Bret) Ah! My God! The Duenna On leaving – where might one go, to speak a word? Cyrano ( confused) Where? Ah. but. Ah, my God. The Duenna Say quickly! Cyrano Im thinking! The Duenna Where? Cyrano pastry-cook. The Duenna Residing? Cyrano In the Rue - Oh! My God, My God. Saint Honoré! The Duenna ( going) One goes. Be there. At seven. Cyrano Ill do as you say. ( The duenna goes out. ) Scene Seven Cyrano, Le Bret. Then actors, actresses, Cuigy, Brissaille, Lignière, the porter, the violinists. Cyrano ( falling into Le Brets arms) I. her. A meeting. Le Bret No longer a pessimist? Cyrano Ah! Why would I be, she knows that I exist! Le Bret Now perhaps, youre going to act calmly? Cyrano ( beside himself with joy) Now. Ill be furious, and glitter like lightning, so, I need a whole army, to bring them to their knees! Ive ten hearts: twenty arms: its not enough for me to split paltry dwarves in two... ( He shouts at the top of his voice) I must have giants! For a few moments past the shadows of actors have been moving on the stage, whispers are heard - the rehearsal is beginning. The violinists are in their places. ) A Voice From the Stage Hey! Sssh! You there! Silence! Were rehearsing our lines! Cyrano ( laughing) Were off! He moves away. Cuigy, Brissaille, and some officers, enter by the main door, holding up Lignière, who is completely drunk. ) Cuigy Cyrano! Cyrano What is it? Cuigy A giant song-thrush, theyre bringing it for you! Cyrano ( recognizing him) Lignière. Whats up? Cuigy Hes after you! Brissaille He cant go home! Cyrano Why not? Lignière ( in a careful, drunken voice, showing him a ragged letter) This letter warns me. a hundred men theyve got... because song. a great danger threatens me... the Porte de Nesle. I must, though, to get home you see... allow me to sleep. under your roof instead. Cyrano A hundred men, you say? Youll sleep in your own bed! Lignière ( frightened) But... Cyrano ( in a terrible voice, showing him the lighted lantern held by the porter, who is listening, with curiosity) Take that lantern. ( Lignière seizes it, hastily. ) Now, lets go! – I swear That Ill make your bed to-night once were there. ( To the officers) You, follow behind me, and witness this! Cuigy A hundred. Cyrano Tonight I couldnt manage with less! The actors and actresses, in their costumes, have come down from the stage, and are listening. ) Le Bret But why protect. Cyrano Behold! Le Bret the grumbler! Le Bret That useless drunkard! Cyrano ( slapping Lignière on the shoulder) Because, this drinker, this cask of ale, this barrel of Burgundy, did something once that was extremely pretty: as he was leaving mass, he saw the one he loved, taking holy water, as the sacred rites approve, he, who runs from water, ran towards it tipped it towards him, and drank every bit. An Actress ( dressed as a comedienne) Well! Thats nice! Cyrano Was it not, my comedienne? The Actress ( to the others) But why face a poor poet with a hundred men? Cyrano Lets go! And you, sirs, seeing me charge in anger, dont second me, however great the danger! Another Actress ( jumping from the stage) Oh! But Ill come to see! Cyrano Come, then! Another ( jumping down - to an old actor) And you, Cassandre. Cyrano All of you come, the Doctor, Isabel, Léander, come, and youll add, you fine, mad swarm a farce from Italy to this Spanish drama! All the Women ( dancing for joy) Bravo. a cloak, quickly. My hood! Jodelet Come on! Cyrano Play us a march, you gentlemen of the band! The violinists etc. join the procession, which is forming. They take the footlights, and share them out as torches. ) Bravo! The officers! The women in costume, And, twenty paces in front ( He takes his place. ) I all alone, beneath this plume that Glory herself lends to adorn my hat, proud as a Scipio, and triply-nosed at that. - You understand? Its forbidden to interfere! One, two three! Porter, open the doors! Were here! The porter opens the doors: a view of old picturesque Paris is seen in the moonlight. ) Ah. Paris there, nocturnal, nebulous almost: over blue sloping roofs where moonlight flows: a set prepared, exquisitely, for this scene: there, beneath veils of vapour, is the Seine, a magic mirror filled full with mystery, that youll see what you will see! All To the Porte de Nesle! Cyrano ( standing on the threshold) To the Porte de Nesle! Turning, before going on, to the comedienne) Didnt you ask why theyve sent, mademoiselle, a hundred men against one maker of rhyme? He draws his sword; then, calmly) Thats because they know hes a friend of mine! He goes out. Lignière staggers first after him, then the actresses on the officers arms – then the comedians, leaping about. The procession marches into the night to the sound of violins, in the faint light of the candles. ) Curtain. Next Act.

Es que es un escena absolutamente irrepetible y maravillosa. Y la interpretación de Cyrano, nos parece, igual que a usted, soberbia. Es que te la crees. Y sí, por ese motivo pensamos como usted, es inmortal en esa escena y en muchas otras de la pelo. Muy divertida. No sabe cuánto nos alegran comentarios como el suyo, y por supuesto, nos gusta estar en contacto con nuestros seguidores, así que Muchas Gracias a usted. Esperamos más sobre otros títulos de nuestro canal. Un cordial saludo.

National theatre live: cyrano de bergerac mi. National theatre live: cyrano de bergerac full. National theatre live cyrano de bergerac trailer. What a dreamboat. I have been coming to London almost exclusively for its theatre for over five years now. The last week alone, I saw 8 plays, and this one truly stands out. I don't think anything else needs to be said in its praise. McAvoy is absolutely mesmerising, I could not tear my eyes of him. This play is very different to what you might expect, but it's theatre at its absolute best ❤️.

Can't wait to see these two again, those videos are amazing 💕 And you keep finding the best topics, thanks so much Graham 😂. Any other English people watching this for accuracy? XDD. National theatre live: cyrano de bergerac scene. 1 episode in and Asriel is quite possibly my favourite character. National theatre live: cyrano de bergerac 2017. Si tienes razón. no son 7 palabras. pero que film, tan hermoso! esta obra! llevada a la pantalla. de verdad excelente! espero y hayas disfrutado de este film! como tu servidor! SALUDOS! arTiCDiaZ.

National Theatre Live: Cyrano de bergerac. National theatre live cyrano de bergerac reviews. I'm seriously begging, please put this on dvd! Saw it last week and can't stop thinking about it! Best Adaption I have ever seen, and so funny. I need too see it many more times. National theatre live 3a cyrano de bergerac karaoke. This movie Glass was really a masterpiece. I watched it recently. Beautifully shot, best acting. Each and every actor brought their A game. I havent seen such truly great performances from actors since, I dont know, in a very very long time in Hollywood. If someone wants to know what does it mean to act, this is the movie to show them. And they will learn acting. Really, the performances are beyond amazing. The direction was very thoughtful, sharp and brilliantly executed from start to finish. Watch the movie to experience it the way it is presented. Its stupid to make up your own set of expectations and not leaving any space in your mind to experience what the actual movie has to say. Great movie. Thoroughly enjoyed it. I actually felt the emotion. Thats rare nowadays. Oh btw, the critics can go eat a dick.

National theatre live cyrano de bergerac. National theatre live: cyrano de bergerac movie.

• relajacion.blogia.com/2020/021302-national-theatre-live-cyrano-de-bergerac-watch-part-1-openload-online-free-torr.php
• conocerme-valorarme.blogia.com/2020/021402-nt-live-cyrano-de-bergerac-free-online-torrents-tamil-eng-sub-putlocker-no-sign.php
• https://stackoverflow.com/cv/nt-live-cyrano-de-bergerac-download-torrent-full-length-mkv-720px-openload-online-free
• https://seesaawiki.jp/eisei/d/NT%20Live%20Cyrano%20de%20Bergerac%20Watch%20Online%20Torrents%20Mojo%20tamil%20no%20registration
• https://seesaawiki.jp/hokeiyo/d/NT%20Live%20Cyrano%20de%20Bergerac%20Watch%20Online%20Online%20Now%20dual%20audio%20mkv%20yesmovies
• https://seesaawiki.jp/rakiriwo/d/NT%20Live%20Cyrano%20de%20Bergerac%20Free%20Stream%202020%20release%20date%20english%20subtitle
• https://seesaawiki.jp/zoshiyoke/d/NT%20Live%20Cyrano%20de%20Bergerac%20Watch%20Full%20Length%20Pirate%20Bay%20putlockers%20mkv%20kickass
• ameblo.jp/baguchisuga/entry-12574945264.html